In-Sight: Gustav Klimt: The Bride
In 1917, the last year of his career, Gustav Klimt started working on one of his largest paintings, the allegorical work The Bride. His unexpected and premature death in February 1918 prevented him from finishing this painting. A now iconic image by Klimt’s favorite photographer Moriz Nähr shows The Bride together with Lady with Fan—itself the subject of an exhibition at the Upper Belvedere in 2021/22—in the painter’s studio in Vienna’s Hietzing district.
Klimt’s last studio sets the scene for this exhibition with a spotlight on the encounters that took place there between the artist and important people in his life. Sources include reports by his fellow painters Egon Schiele and Felix Albrecht Harta, the writings of Arthur Schnitzler and the Japanese artist Kijiro Ohta, in addition to accounts from Friederike Beer-Monti, who was portrayed by Klimt, and his patron Eugenia (Mäda) Primavesi.
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In 1917, the last year of his career, Gustav Klimt started working on one of his largest paintings, the allegorical work The Bride. His unexpected and premature death in February 1918 prevented him from finishing this painting. A now iconic image by Klimt’s favorite photographer Moriz Nähr shows The Bride together with Lady with Fan—itself the subject of an exhibition at the Upper Belvedere in 2021/22—in the painter’s studio in Vienna’s Hietzing district.
Klimt’s last studio sets the scene for this exhibition with a spotlight on the encounters that took place there between the artist and important people in his life. Sources include reports by his fellow painters Egon Schiele and Felix Albrecht Harta, the writings of Arthur Schnitzler and the Japanese artist Kijiro Ohta, in addition to accounts from Friederike Beer-Monti, who was portrayed by Klimt, and his patron Eugenia (Mäda) Primavesi.
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Gustav Klimt's The Bride is one of the most fascinating and enigmatic paintings by the Viennese artist.