Interactions 2024
With Interactions 2024, we once again invite you to spend the summer in the public outdoor and indoor spaces of the Bundeskunsthalle, where new works of art will complement the existing ones: Jeppe Hein鈥檚 water pavilion Circular Appearing Rooms, which is presented on the square every summer, and Carsten H枚ller鈥檚 Bonn Slide, which winds along the fa莽ade and rotates on its own axis.
The new works of art also invite you to play, reflect, or linger. All the works have their own story to tell, which can be discovered through interaction, but they also deal with different 鈥渧isual languages鈥 as a universal form of communication that transcends borders.
This year sees the addition of Gabriel Lester鈥檚 large installation Bouncer on the roof, which enables a collective but also individual spatial experience by passing through a series of swinging doors as if in stop-motion.
Linda Nadji offers a mental bridge between inside and outside with Meanwhile, two gilded high seats, one on the roof and one in the foyer, questioning the possibilities of communication through the unusual change of perspective.
Recommended for you
With Interactions 2024, we once again invite you to spend the summer in the public outdoor and indoor spaces of the Bundeskunsthalle, where new works of art will complement the existing ones: Jeppe Hein鈥檚 water pavilion Circular Appearing Rooms, which is presented on the square every summer, and Carsten H枚ller鈥檚 Bonn Slide, which winds along the fa莽ade and rotates on its own axis.
The new works of art also invite you to play, reflect, or linger. All the works have their own story to tell, which can be discovered through interaction, but they also deal with different 鈥渧isual languages鈥 as a universal form of communication that transcends borders.
This year sees the addition of Gabriel Lester鈥檚 large installation Bouncer on the roof, which enables a collective but also individual spatial experience by passing through a series of swinging doors as if in stop-motion.
Linda Nadji offers a mental bridge between inside and outside with Meanwhile, two gilded high seats, one on the roof and one in the foyer, questioning the possibilities of communication through the unusual change of perspective.
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