Placed in the middle of a dramatic scene, like the orchestral pieces that occupied the intervals between the "two
tempi" in 18th-century Neapolitan opera, Intermezzo Strumentale is the group exhibition conceived by Galleria
Fonti in a period of momentary stasis, hopefully, straddling the era before the coronavirus emergency and the new
post-pandemic era. A selection of archival works revisited with a critical eye that through a display organized by thematic walls ideally
traces the major social issues that are characterizing the current year 2020: the protests of the Black Lives Matter
movement in the United States and the subsequent violent clashes between riots and police, the theme of
feminism brought back to the fore by the Chilean protesters to the anthem of "El violador eres t霉" and arrived
around the world up to modern-day Poland, the dispute over the historical, artistic and symbolic value of the
statues of the colonizers decapitated by the protesters and the 'environmental emergency due to the increasingly
pressing problem of melting ice.