Using the Cantor鈥檚 extensive collection of photographs, sketches, and decorative objects from fin-de-si猫cle Vienna, this exhibition explores how male artists manipulated images of women in an attempt to control and define women鈥檚 roles and status. During this time, norms about women鈥檚 intimate relationships with lovers and friends and the structure of the interior, domestic sphere were greatly shifting. The exhibition presents photographic
prints by Heinrich K眉hn, numerous sketches by
Oskar Kokoschka, decorative works from 1883 Austria, works by Max Kurzwell, and more. Student curator: Stanford undergraduate and Cantor Scholar Alex Zivkovic.