Isabelle Andriessen: Vermin
Through her solo exhi足bi足ti足on Ver足min artist Isa足bel足le Andries足sen aims to address the vio足lent rites and dehu足ma足ni足za足ti足on that pre足ce足ded the Beel足den足storm of 1566, a peri足od mar足ked by pover足ty, reli足gious con足flict and upri足sings against here足tics in The Low Coun足tries (cur足rent足ly Bel足gi足um and the Nether足lands.) Her mecha足ni足cal, moving sculp足tu足res, devel足o足ped for Kunst足hal Gent, con足front the vie足wer with vio足len足ce and sub足ju足ga足ti足on. Next to the足se new sculp足tu足res, pre足sen足ted in the Old Hou足se, Andries足sen also installs the work Ivo足ry Dam足pers (2019) in the gar足den near the Old Hou足se, as an addi足ti足on to the End足less Exhi足bi足ti足on.
During the 16th cen足tu足ry in refor足med Fran足ce and the Low Coun足tries, peo足p足le with dif足fe足rent beliefs were cal足l足ed here足tics, and even ver足min. Ver足min deri足ves from the Latin ver足mis (worm) and was ori足gi足nal足ly used for worm-like lar足vae of cer足tain insects that would spread disea足ses, many of which infest food足stuffs. The mobs that took part were not just acting out of anger or cha足os; they were per足for足ming a ritu足a足lis足tic act of reli足gious puri足fi足ca足ti足on. By using terms such as ver足min or pla足gues, the catho足lic church devel足o足ped a nar足ra足ti足ve in which here足tics were seen as dange足rous, undesi足ra足ble ele足ments that had to be era足di足ca足ted. This rhe足to足ric con足tri足bu足ted to the jus足ti足fi足ca足ti足on of harsh mea足su足res such as excom足mu足ni足ca足ti足on, imprison足ment, tor足tu足re and exe足cu足ti足on, to con足trol and clean足se or puri足fy the community.
An impor足tant anchor for Andriessens exhi足bi足ti足on is The Rites of Vio足len足ce, an essay by Nata足lie Zemon Davis, that exa足mi足nes how acts of vio足len足ce have been fra足med as sacred or ritu足a足lis足tic under cer足tain peri足ods, such as during reli足gious wars, inqui足si足ti足ons, or the use of ter足ror by reli足gious autho足ri足ties in order to instill fear and obe足dien足ce. The poli足ti足cal assas足si足na足ti足ons, which were often car足ried out in high足ly ritu足a足li足zed ways, dis足play how public exe足cu足ti足ons were not just acts of vio足len足ce, but also of sym足bo足lic mea足ning. Through this exhi足bi足ti足on Andries足sen makes a refe足ren足ce to the way how the足se ritu足al acts were used as a tool to increa足se power, legi足ti足ma足cy, and autho足ri足ty, whi足le also con足si足de足ring how poli足ti足cal and soci足al con足texts sha足ped peo足p足les under足stan足ding of vio足len足ce and justice.
A noto足rious instru足ment of ter足ror deri足ving from the Spa足nish Inqui足si足ti足on during this time was the Coun足cil of Blood (or Bloed足raad), which was a court set up to inves足ti足ga足te and punish tho足se sus足pec足ted of rebel足li足on or here足sy. Mass exe足cu足ti足ons were com足mon, and tho足se found guil足ty were often behe足a足ded, bur足ned ali足ve, or han足ged in public squa足res during reli足gious rites or cele足bra足ti足ons as a warning to others. The exe足cu足ti足ons were bru足tal and public, using fear and spec足ta足cle to deter fur足ther rebel足li足on and dis足sent. Doing so the ritu足a足li足za足ti足on of vio足len足ce beca足me a form of col足lec足ti足ve acti足on, often with clear soci足al or reli足gious purposes.
For Ver足min Andries足sen dedi足ca足ted her inves足ti足ga足ti足on to medie足val armour and Wes足tern Euro足pean tor足tu足re tech足ni足ques used to car足ry out oppres足si足on, destruc足ti足on and muti足la足ti足on. She not only addres足ses the peri足o足dic geo足po足li足ti足cal ten足si足ons, but also how they give way to resi足lien足ce and com足mu足ni足ty mobi足li足sa足ti足on. The works can be seen as acti足vist enti足ties that together per足form an unpre足dic足ta足ble and uncan足ny cho足re足o足grap足hy. The vie足wer beco足mes the eye足wit足ness to a rite that incre足a足sin足gly affects the spa足ce over the dura足ti足on of the exhi足bi足ti足on. The足se new sculp足tu足res form a lands足ca足pe of armou足red car足cas足ses acting out their own agen足cy, making tan足gi足ble the gro足wing dark足ness resi足ding in cur足rent socio-politics.
Through ana足ly足zing this his足to足ri足cal event and lin足king it up to the pre足sent Andries足sen sculp足tu足res spe足cu足la足te a grim futu足re sce足na足rio in which armou足red car足cas足ses are acting out their own agen足cy, making tan足gi足ble the gro足wing darkness.
Recommended for you
Through her solo exhi足bi足ti足on Ver足min artist Isa足bel足le Andries足sen aims to address the vio足lent rites and dehu足ma足ni足za足ti足on that pre足ce足ded the Beel足den足storm of 1566, a peri足od mar足ked by pover足ty, reli足gious con足flict and upri足sings against here足tics in The Low Coun足tries (cur足rent足ly Bel足gi足um and the Nether足lands.) Her mecha足ni足cal, moving sculp足tu足res, devel足o足ped for Kunst足hal Gent, con足front the vie足wer with vio足len足ce and sub足ju足ga足ti足on. Next to the足se new sculp足tu足res, pre足sen足ted in the Old Hou足se, Andries足sen also installs the work Ivo足ry Dam足pers (2019) in the gar足den near the Old Hou足se, as an addi足ti足on to the End足less Exhi足bi足ti足on.
During the 16th cen足tu足ry in refor足med Fran足ce and the Low Coun足tries, peo足p足le with dif足fe足rent beliefs were cal足l足ed here足tics, and even ver足min. Ver足min deri足ves from the Latin ver足mis (worm) and was ori足gi足nal足ly used for worm-like lar足vae of cer足tain insects that would spread disea足ses, many of which infest food足stuffs. The mobs that took part were not just acting out of anger or cha足os; they were per足for足ming a ritu足a足lis足tic act of reli足gious puri足fi足ca足ti足on. By using terms such as ver足min or pla足gues, the catho足lic church devel足o足ped a nar足ra足ti足ve in which here足tics were seen as dange足rous, undesi足ra足ble ele足ments that had to be era足di足ca足ted. This rhe足to足ric con足tri足bu足ted to the jus足ti足fi足ca足ti足on of harsh mea足su足res such as excom足mu足ni足ca足ti足on, imprison足ment, tor足tu足re and exe足cu足ti足on, to con足trol and clean足se or puri足fy the community.
An impor足tant anchor for Andriessens exhi足bi足ti足on is The Rites of Vio足len足ce, an essay by Nata足lie Zemon Davis, that exa足mi足nes how acts of vio足len足ce have been fra足med as sacred or ritu足a足lis足tic under cer足tain peri足ods, such as during reli足gious wars, inqui足si足ti足ons, or the use of ter足ror by reli足gious autho足ri足ties in order to instill fear and obe足dien足ce. The poli足ti足cal assas足si足na足ti足ons, which were often car足ried out in high足ly ritu足a足li足zed ways, dis足play how public exe足cu足ti足ons were not just acts of vio足len足ce, but also of sym足bo足lic mea足ning. Through this exhi足bi足ti足on Andries足sen makes a refe足ren足ce to the way how the足se ritu足al acts were used as a tool to increa足se power, legi足ti足ma足cy, and autho足ri足ty, whi足le also con足si足de足ring how poli足ti足cal and soci足al con足texts sha足ped peo足p足les under足stan足ding of vio足len足ce and justice.
A noto足rious instru足ment of ter足ror deri足ving from the Spa足nish Inqui足si足ti足on during this time was the Coun足cil of Blood (or Bloed足raad), which was a court set up to inves足ti足ga足te and punish tho足se sus足pec足ted of rebel足li足on or here足sy. Mass exe足cu足ti足ons were com足mon, and tho足se found guil足ty were often behe足a足ded, bur足ned ali足ve, or han足ged in public squa足res during reli足gious rites or cele足bra足ti足ons as a warning to others. The exe足cu足ti足ons were bru足tal and public, using fear and spec足ta足cle to deter fur足ther rebel足li足on and dis足sent. Doing so the ritu足a足li足za足ti足on of vio足len足ce beca足me a form of col足lec足ti足ve acti足on, often with clear soci足al or reli足gious purposes.
For Ver足min Andries足sen dedi足ca足ted her inves足ti足ga足ti足on to medie足val armour and Wes足tern Euro足pean tor足tu足re tech足ni足ques used to car足ry out oppres足si足on, destruc足ti足on and muti足la足ti足on. She not only addres足ses the peri足o足dic geo足po足li足ti足cal ten足si足ons, but also how they give way to resi足lien足ce and com足mu足ni足ty mobi足li足sa足ti足on. The works can be seen as acti足vist enti足ties that together per足form an unpre足dic足ta足ble and uncan足ny cho足re足o足grap足hy. The vie足wer beco足mes the eye足wit足ness to a rite that incre足a足sin足gly affects the spa足ce over the dura足ti足on of the exhi足bi足ti足on. The足se new sculp足tu足res form a lands足ca足pe of armou足red car足cas足ses acting out their own agen足cy, making tan足gi足ble the gro足wing dark足ness resi足ding in cur足rent socio-politics.
Through ana足ly足zing this his足to足ri足cal event and lin足king it up to the pre足sent Andries足sen sculp足tu足res spe足cu足la足te a grim futu足re sce足na足rio in which armou足red car足cas足ses are acting out their own agen足cy, making tan足gi足ble the gro足wing darkness.
Artists on show
Related articles
Through her solo exhi足bi足ti足on Ver足min artist Isa足bel足le Andries足sen aims to address the violent rites and dehu足ma足ni足za足ti足on that pre足ce足ded the Beel足den足storm of 1566, a peri足od mar足ked by pover足ty, reli足gious con足flict.