黑料不打烊


Isabelle Cornaro

Apr 18, 2014 - Aug 03, 2014
In the spring of 2014 M - Museum Leuven is mounting Belgium鈥檚 first solo exhibition of work by the French artist Isabelle Cornaro (掳1974), who lives and works in Paris. Her oeuvre manifests an interest in the way our perception of reality is dictated historically and culturally. Cornaro鈥檚 initial training as an art historian specializing in sixteenth and seventeenth-century Western art has influenced her original visual language. For example, there is a strong association between her work and forms and compositions from the past, ranging from the baroque or classicism to modernistic abstraction.  
In her sculptures and installations Isabelle Cornaro plays with the aesthetics of both ordinary everyday objects and objets d鈥檃rt by integrating them formally or conceptually into a new context. For instance, she might group these objects round a specific theme or arrange them according to visual techniques such as scale, perspective lines or light and shadow effects, thereby calling into question our conventional view of these objects and the way we look at her work. Her videos, high reliefs and murals are a continuation of this study of observation and perception. Moreover, they underline her great sensitivity to texture, material and colour. 
In the spring of 2014 M - Museum Leuven is mounting Belgium鈥檚 first solo exhibition of work by the French artist Isabelle Cornaro (掳1974), who lives and works in Paris. Her oeuvre manifests an interest in the way our perception of reality is dictated historically and culturally. Cornaro鈥檚 initial training as an art historian specializing in sixteenth and seventeenth-century Western art has influenced her original visual language. For example, there is a strong association between her work and forms and compositions from the past, ranging from the baroque or classicism to modernistic abstraction.  
In her sculptures and installations Isabelle Cornaro plays with the aesthetics of both ordinary everyday objects and objets d鈥檃rt by integrating them formally or conceptually into a new context. For instance, she might group these objects round a specific theme or arrange them according to visual techniques such as scale, perspective lines or light and shadow effects, thereby calling into question our conventional view of these objects and the way we look at her work. Her videos, high reliefs and murals are a continuation of this study of observation and perception. Moreover, they underline her great sensitivity to texture, material and colour. 

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Leopold Vanderkelenstraat 28 Leuven, Belgium B - 3000

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