黑料不打烊

All鈥塨uildings鈥塰old鈥塼he鈥塭choes鈥塷f鈥塷verlapping鈥塼imelines鈥墂ithin鈥塼heir鈥墂alls.鈥塃very鈥塺oom,鈥塭very鈥塩rack鈥塱n鈥塼he鈥塮a莽ade,鈥塧nd鈥塭very surrounding鈥塻treet鈥塨ears鈥塼races鈥塷f鈥塼he鈥塴ives鈥塼hey鈥塰ave鈥塻heltered鈥塧nd鈥塼he鈥塵oments鈥塼hey鈥塰ave鈥墂itnessed.鈥塖trip鈥塧way鈥塧鈥塴ayer鈥塷f paint,鈥塧nd鈥塩ountless鈥塻tories鈥塨egin鈥塼o鈥塻urface.鈥塖imilarly,鈥塧rt鈥塩ollections鈥塻erve鈥塧s鈥塯uardians鈥塷f time,鈥塰olding鈥墂ithin鈥塼hem鈥塼he鈥塵emories鈥塷f鈥塯enerations鈥塧nd鈥塻ocio-political鈥塭vents.鈥塗hrough鈥塨oth鈥塼he鈥塧rtworks鈥塼hey鈥塸reserve鈥塧nd鈥塼hose鈥塼hey鈥塴ack,鈥塩ollections鈥塪ocument鈥塧鈥塸resent鈥塱n鈥塮lux.

Drawing鈥塷n鈥塼he鈥塴ayered鈥塰istory鈥塷f鈥塼he鈥塒alaisPopulaire,鈥塼he exhibition It鈥檚 Just  a Matter of Time explores鈥塼he鈥塱ntersection鈥塷f鈥塼emporalities.鈥塀uilt鈥塱n鈥�1730鈥塧s two separate houses along Berlin鈥檚鈥塮ortress鈥塵oat,鈥塼he鈥塻tructures鈥墂ere鈥塽nited鈥塨y鈥塒russian鈥塧rchitect鈥塅riedrich鈥塛ilhelm鈥塂iterichs鈥墂ith鈥塧鈥塩entral鈥塭xtension,鈥塩reating鈥塧鈥塻ingle鈥塸alace.鈥塈n鈥�1788,鈥塱t鈥塨ecame鈥塧鈥塺oyal鈥塺esidence鈥塽nder鈥塼he鈥塒russian鈥塩rown,鈥塰ousing,鈥塧mong鈥塷thers, the鈥塪aughters鈥塷f鈥塊ing鈥塅riedrich鈥塛ilhelm鈥塈II鈥塧nd鈥塓ueen鈥塋uise鈥擯rincesses鈥塁harlotte,鈥堿lexandrine, and鈥塋uise鈥攅arning鈥塱t鈥塼he鈥塶ame鈥塒rinzessinnenpalais鈥塻ince鈥�1810.鈥塐ver鈥塼he鈥塩enturies,鈥塱t鈥塽nderwent鈥塩ontinuous鈥塼ransformations鈥塻haped鈥塨y鈥塼he鈥塸olitical鈥塧nd鈥塩ultural shifts of each era. Years after鈥塼he鈥塮all鈥塷f鈥塼he鈥塵onarchy in鈥�1918,鈥塱t鈥墂as鈥塮irst鈥塽sed鈥塧s鈥塼he鈥塖chinkel鈥塎useum鈥塱n鈥�1931,鈥塼hen for鈥塼emporary鈥塭xhibitions.鈥塈n鈥�1933,鈥塮ollowing鈥塼he鈥塏azi鈥塺ise鈥塼o鈥塸ower,鈥塷ver鈥�20,000鈥塨ooks鈥墂ere鈥塨urned鈥塧t鈥塼he鈥塶earby鈥塐pernplatz鈥塱n鈥塧鈥塨rutal鈥塧ct鈥塷f鈥塩ultural鈥塭rasure.

With鈥塀erlin鈥檚鈥塸ostwar鈥塪ivision,鈥塼he鈥塒alais鈥塨ecame鈥塸art鈥塷f鈥塼he鈥塆erman鈥塂emocratic鈥塕epublic.鈥塖ituated鈥塶ear鈥塼he鈥塒alace鈥塷f鈥塼he鈥塕epublic鈥攖he鈥塆DR鈥檚鈥塸arliamen- tary鈥塻eat鈥塮rom鈥�1976鈥塼o鈥�1990鈥攊t鈥墂as at the center of the shifting ideologies鈥塷f鈥塼he鈥塁old鈥塛ar.鈥塂uring鈥塼his鈥塼ime鈥塱t鈥塰oused鈥塼he鈥塐perncaf茅,鈥塨oasting鈥塧鈥塴ively鈥塪isco鈥塼hat鈥塷ffered鈥塧鈥塿ibrant鈥塭scape within鈥塧鈥塺igid鈥塸olitical鈥塻ystem.鈥堿fter鈥墆ears鈥塷f鈥塿acancy,鈥塼he鈥塒alais鈥塺eopened鈥塱n鈥�2018鈥塧s鈥塧鈥塩ontemporary鈥塧rt鈥塿enue.

These鈥塴ayers鈥塷f鈥塰istory鈥塮orm鈥塼he鈥塨ackdrop鈥塮or It鈥檚 Just a Matter of Time. Conceived鈥塧s鈥塧鈥塩ontemplative鈥塲ourney,鈥塼he鈥塭xhibition鈥塸resents artistic positions from鈥�1946鈥塼o鈥塼oday,鈥塮eaturing鈥墂orks鈥塮rom鈥塼he鈥塂eutsche鈥塀ank鈥塁ollection鈥塧longside鈥塻elected鈥塴oans.鈥堿cknowledging鈥塼hat鈥塨uildings鈥塧re鈥塭mbedded鈥塱n鈥塨roader鈥塽rban鈥塧nd鈥塰istorical鈥塩ontexts,鈥塼he鈥塭xhibition鈥塩ontinually鈥塪raws鈥塩onnections鈥塨etween鈥塱nterior鈥塧nd鈥塭xterior鈥塻pace.鈥塃xtending鈥塨eyond鈥塼he鈥塯allery鈥墂alls,鈥塱t鈥塺einforces鈥塼he鈥塱dea鈥塼hat鈥塰istory鈥塱s鈥塶ot鈥塩onfined鈥墂ithin鈥塱nstitutions鈥塨ut鈥塱s鈥塭mbedded鈥塱n鈥塼he鈥塩ity鈥塱tself.鈥�

Rather than illustrating history鈥塷r鈥塻triving鈥塮or鈥塩ompleteness,鈥塼he鈥塭xhibition鈥塈t鈥檚 Just a Matter of Time traces echoes of the鈥塸ast鈥攆ragments鈥塼hat鈥塸ersist,鈥塺esurface,鈥塧nd鈥塭ntwine鈥墂ith鈥塼he鈥塸resent.鈥塈n鈥塼hese鈥塧bsences,鈥塰istory鈥塱s鈥塶ot鈥塵erely鈥塺ecounted鈥塨ut鈥塮elt,鈥塺evealing鈥塼ime鈥塧s鈥塧鈥塩ontinuum鈥墂here鈥塵emory鈥塧nd鈥塭xperience鈥塺emain鈥塭ver-evolving.

颁耻谤补迟别诲鈥塨测鈥塋颈产别谤迟测鈥碱诲谤颈别苍鈥�&补尘辫;鈥塁补谤颈苍补鈥塀耻办耻迟蝉