J. A. Nicholls: On touch
Bobinska Brownlee is delighted to present new work by J. A. Nicholls. These are paintings made in makeshift spaces during the early no-touch phase of the pandemic and, more recently, in the studio in covid鈥檚 changing wake.
'鈥淪ourced from photos on a phone, selves absorbed. Walking, working or simply being, solo or in company, they emerge in layers of line and colour. The palette is messy and the movement of the brush searching and uncertain. There are faces grounded timelessly, busy doing nothing but looking and being looked at. There are landscapes with nothing much to see but the figure or figures within. Roads and tracks are obliquely present and there is weather, changeable and undefined. Figures, or lives rather, are the focus and the paint feels its path towards them.
This body of work speaks of personal worlds, of desire, uncertainty and failure. Awkward and rough, the paint searches to and fro for a sense or touch of people absent and missed, settling here then there, upon uncertainty, disquiet, affection, intimacy. The paint pulses the presence of what鈥檚 missing鈥.
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Bobinska Brownlee is delighted to present new work by J. A. Nicholls. These are paintings made in makeshift spaces during the early no-touch phase of the pandemic and, more recently, in the studio in covid鈥檚 changing wake.
'鈥淪ourced from photos on a phone, selves absorbed. Walking, working or simply being, solo or in company, they emerge in layers of line and colour. The palette is messy and the movement of the brush searching and uncertain. There are faces grounded timelessly, busy doing nothing but looking and being looked at. There are landscapes with nothing much to see but the figure or figures within. Roads and tracks are obliquely present and there is weather, changeable and undefined. Figures, or lives rather, are the focus and the paint feels its path towards them.
This body of work speaks of personal worlds, of desire, uncertainty and failure. Awkward and rough, the paint searches to and fro for a sense or touch of people absent and missed, settling here then there, upon uncertainty, disquiet, affection, intimacy. The paint pulses the presence of what鈥檚 missing鈥.
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JA Nicholls delivers portraits of awkward emotions and moods, as much as faces and bodies.