黑料不打烊

In Bear Hunting, his first solo exhibition at Marx & Zavattero (formerly Heather Marx Gallery), San Francisco artist James Gobel creates a colorful, mysterious world of portly men in Baroque d茅cor playing a lonely game of hide and seek. Gobel鈥檚 trademark bold color, intelligent detail, and verbose figures, some holding lit candelabras in search of something or someone, are set within decadent architectural settings that act as a maze for his subjects to navigate. This new series of acrylic felt, wool felt, yarn, & acrylic on canvas paintings will be on view February 14 鈥� March 29, 2008.Gobel鈥檚 work suggests a frolicking yet compassionate farce, painted in a cinematic storyboard fashion, featuring single figures desperately looking for one another and finding various levels of success. Clad in rock t-shirts or plaid flannels, a few of his Bears have given up; they are depicted slumped in a chair, candle wax dripping, signifying that the light will soon be snuffed out and their desires will not be met. Gobel brilliantly intimates an overriding sense of fear and desire juxtaposed with a witty opulence that sheds hope on these games of love. The mix of contemporary hipster garb, the sly nods to the 鈥渄andy鈥� (as seen in the tight-fitting calf-high police boots and tights in the grand piece I Love You and I Always Will), the opulent d茅cor of flocked wallpaper, the gilded framed mirrors, and the velvet curtains all add a tantalizing aura to the works. The great potential of Gobel鈥檚 figures may never be realized, though -- if the bears move too quickly, the candles will blow out -- but if they move too slowly, the wick will succumb to ash. Their efforts, however desperate, may come to a bittersweet end, but his figures鈥� longing gazes also suggest that one may have spotted another. A sense of urgency, desire, and possible failure permeates the works and leaves the viewer rooting for his characters to connect.Gobel has exhibited widely across the country, including solo shows at the Hammer Museum, Los Angeles, and Kravets/Wehby Gallery, New York; and group shows including Las Vegas Diaspora: The Emergence of Contemporary Art from the Neon Homeland, curated by Dave Hickey, at the Las Vegas Art Museum; Naughty at Heather Marx Gallery; The New Museum of Contemporary Art, New York; Roberts & Tilton, Los Angeles; and John Connelly Presents, New York, among many other venues.