Johannes Raimann & Stefan Bauer: Operationen (Wer Ist Am Apparat)
The complex relation between photography and the idea of the real initiates a space. The door opens. We find our perception as a direct stage. The instinctive capture of an image is linked to natural as well as synthetic conditions. The (de)construction of images appears on variable levels. These levels are interwoven through communication (myths) and visual images. The connections can have a stabilizing side effect. The seismographic instruments are in listening position. They generate a proprietary conception of world on an elastic foundation. The original experience is already lost at the second glance. We no longer see and are still looking.
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The complex relation between photography and the idea of the real initiates a space. The door opens. We find our perception as a direct stage. The instinctive capture of an image is linked to natural as well as synthetic conditions. The (de)construction of images appears on variable levels. These levels are interwoven through communication (myths) and visual images. The connections can have a stabilizing side effect. The seismographic instruments are in listening position. They generate a proprietary conception of world on an elastic foundation. The original experience is already lost at the second glance. We no longer see and are still looking.
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