黑料不打烊

In her first solo exhibition, Julia Dodi膷 presents a spatial installation consisting of three individual pieces that explore human relationships. These relationships are made visible through limited but varied use of materials, shapes, and colours that, as elements, replace the presence of a human figure in her work. Dodi膷 studies photography and (currently) also painting, through which she explores the boundaries between different media. That is precisely what has led her to the autonomous objects that are now on display. She is driven by her reflection on framing as a traditional method of representing and exhibiting visual imagery as well as an element that rarely receives as much attention as the content it encaptures.

There are two assumptions that form the basis of Julija Dodi膷鈥檚 artistic practice: one is a human understanding of space within her characteristic minimalist aesthetic, and the other is a more general questioning of the human being, be it through seeking answers in mutual relationships or studying the manifestations of the conscious and the subconscious, the visible and the invisible, the accentuated and the overlooked. The three pieces featured in the exhibition are Dodi膷鈥檚 attempt to both raise and answer existentialist questions through the medium of proto-installation.