黑料不打烊


Just Visiting This Planet

Feb 04, 2022 - Mar 12, 2022

In tribute to "Just Visiting This Planet," the 1991 documentary film of the same title which featured the legendary Japanese  butoh dancer Kazuo 脭no (1906-2010), our group exhibition celebrates the creativity of a free soul without physical boundaries through the works by six contemporary Japanese photographers 鈥 Emi Anrakuji, Hitoshi Fugo, Mikiko Hara, Mayumi Lake, Yu Yamauchi, and Daisuke Yokota. Ranging from landscapes and portraits to still lifes, their work is sensitive to the transient nature of life while exploring its emotionally profound moments. 

In tribute to "Just Visiting This Planet," the 1991 documentary film of the same title which featured the legendary Japanese  butoh dancer Kazuo 脭no (1906-2010), our group exhibition celebrates the creativity of a free soul without physical boundaries through the works by six contemporary Japanese photographers 鈥 Emi Anrakuji, Hitoshi Fugo, Mikiko Hara, Mayumi Lake, Yu Yamauchi, and Daisuke Yokota. Ranging from landscapes and portraits to still lifes, their work is sensitive to the transient nature of life while exploring its emotionally profound moments. These concepts 鈥 the perception of non-permanence (mujo) or sensitivity to ephemera (mono no aware) -- are deeply rooted in Japanese culture, and the associated expression of gentle sorrow have been cultivated in Japanese art for centuries.

The highlights of the exhibition include Hunch by Mayumi Lake from her  2016 鈥淟atent Heat" series 鈥 striking color tableaux of a barefoot woman in kimono robe hunching over a dead tree trunk; Untitled no. 421 by Daisuke Yokota from his haunting 鈥淪ite/Cloud鈥 series (2012) featuring a solarized black & white image of a female hiding in a bush; Mikiko Hara鈥檚 Untitled (2008), a soft-focus halved pomegranate, which recently became part of her new series; Hitoshi Fugo鈥檚 Flying Frying Pan 70 from his fantastical series capturing the microcosmic world of an iron pan; Emi Anrakuji鈥檚 Untitled 26, depicting a graffiti-like shadow of herself while catching sublime sunlight, from her 2018 series 鈥淛ust Love.鈥  Also, online only, we present Yu Yamauchi鈥檚 ethereal paradise in rural Mongolia, N 51掳12' 08.5"E9 8掳 5 9'4 2.6 "- #18, where humans and animals coexist in complicated ecological and political realities. 



In tribute to "Just Visiting This Planet," the 1991 documentary film of the same title which featured the legendary Japanese  butoh dancer Kazuo 脭no (1906-2010), our group exhibition celebrates the creativity of a free soul without physical boundaries through the works by six contemporary Japanese photographers 鈥 Emi Anrakuji, Hitoshi Fugo, Mikiko Hara, Mayumi Lake, Yu Yamauchi, and Daisuke Yokota. Ranging from landscapes and portraits to still lifes, their work is sensitive to the transient nature of life while exploring its emotionally profound moments. 

In tribute to "Just Visiting This Planet," the 1991 documentary film of the same title which featured the legendary Japanese  butoh dancer Kazuo 脭no (1906-2010), our group exhibition celebrates the creativity of a free soul without physical boundaries through the works by six contemporary Japanese photographers 鈥 Emi Anrakuji, Hitoshi Fugo, Mikiko Hara, Mayumi Lake, Yu Yamauchi, and Daisuke Yokota. Ranging from landscapes and portraits to still lifes, their work is sensitive to the transient nature of life while exploring its emotionally profound moments. These concepts 鈥 the perception of non-permanence (mujo) or sensitivity to ephemera (mono no aware) -- are deeply rooted in Japanese culture, and the associated expression of gentle sorrow have been cultivated in Japanese art for centuries.

The highlights of the exhibition include Hunch by Mayumi Lake from her  2016 鈥淟atent Heat" series 鈥 striking color tableaux of a barefoot woman in kimono robe hunching over a dead tree trunk; Untitled no. 421 by Daisuke Yokota from his haunting 鈥淪ite/Cloud鈥 series (2012) featuring a solarized black & white image of a female hiding in a bush; Mikiko Hara鈥檚 Untitled (2008), a soft-focus halved pomegranate, which recently became part of her new series; Hitoshi Fugo鈥檚 Flying Frying Pan 70 from his fantastical series capturing the microcosmic world of an iron pan; Emi Anrakuji鈥檚 Untitled 26, depicting a graffiti-like shadow of herself while catching sublime sunlight, from her 2018 series 鈥淛ust Love.鈥  Also, online only, we present Yu Yamauchi鈥檚 ethereal paradise in rural Mongolia, N 51掳12' 08.5"E9 8掳 5 9'4 2.6 "- #18, where humans and animals coexist in complicated ecological and political realities. 



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