Liao Shiou-Ping: Simple Symbols. Noble Aesthetics
This Spring Longmen Art Projects Hong Kong is delighted to present Simple Symbols 聼 Noble Aesthetics: Liao Shiou-Ping Paintings 2000 鈥� 2018. This exhibition will showcase the many multi-panel works on canvas executed between 2000 to 2018, bringing a fascinating new aesthetic to the gallery space.
Liao Shiou-Ping had strongly felt the cultural differences from more than forty years of living abroad, including Japan's humility and rigorousness, the French romance, and New York's fast pace and efficiency. Under Professor Roger Chastel鈥檚 guidance at the 脡cole Nationale Sup茅rieure des Beaux-Arts in Paris, he was determined to find his own true artistic path by first understanding the artistic roots of his own culture.
Liao Shiou-Ping鈥檚 unique childhood memories of the Longshan Temple in Monga, Taipei, the Taiwanese folklore and emotional experience of religious sacrifices had become the source of his art. These included Liao Shiou Ping鈥檚 impressions of the doors of the Longshan Temple and his childhood home. Along with age, the experience of the life itself is like a series of doors where one could go onto a new path by passing through each door. The 鈥淕ate鈥� naturally became his artistic language.
This Spring Longmen Art Projects Hong Kong is delighted to present Simple Symbols 聼 Noble Aesthetics: Liao Shiou-Ping Paintings 2000 鈥� 2018. This exhibition will showcase the many multi-panel works on canvas executed between 2000 to 2018, bringing a fascinating new aesthetic to the gallery space.
Liao Shiou-Ping had strongly felt the cultural differences from more than forty years of living abroad, including Japan's humility and rigorousness, the French romance, and New York's fast pace and efficiency. Under Professor Roger Chastel鈥檚 guidance at the 脡cole Nationale Sup茅rieure des Beaux-Arts in Paris, he was determined to find his own true artistic path by first understanding the artistic roots of his own culture.
Liao Shiou-Ping鈥檚 unique childhood memories of the Longshan Temple in Monga, Taipei, the Taiwanese folklore and emotional experience of religious sacrifices had become the source of his art. These included Liao Shiou Ping鈥檚 impressions of the doors of the Longshan Temple and his childhood home. Along with age, the experience of the life itself is like a series of doors where one could go onto a new path by passing through each door. The 鈥淕ate鈥� naturally became his artistic language.
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