Making Everyday
Over the course of three weeks, clay products will be made in Wysing鈥檚 gallery, where they will also be stored and dried, creating a working space and exhibition that will illustrate some of the key ideas behind a project developed by Grizedale Arts and Wysing Arts Centre as part of a UK-Korea Residency Exchange.
The 鈥榠n common ownership鈥� designs for the products have been developed over the past year and combine ideas and skills drawn from an UK-Korea exchange co-ordinated by Grizedale Arts and Wysing Arts Centre. Master potter Gyung-kyun Shin, black bamboo master Seonhui Choe, and chef Gae-hwa Lim, developed initial designs with UK designer/maker Tom Philipson and Grizedale Arts. These designs will be further evolved into a 鈥榝amily鈥� of products at Wysing by Korean designer Jungyou Choi, and potter, Hyunmin Shin, during a residency at Wysing in June and July.
The designs will make up a family of products for domestic use. Nests of bowls and bento boxes, chop sticks and spoons and many other fusions have been developed to be made with the simplest of means and homemade tools.
Potter, Hyunmin Shin, will be in-residence at Wysing refining the products and preparing Wysing鈥檚 onsite Anagama kiln for a spectacular 48-hour firing, from the 6-8 July. Wysing鈥檚 wood-fired Anagama kiln was built in 1998 by Japanese potter Izumihara Masanobu to a traditional Bizen, tear-drop shaped, design.
Over the course of three weeks, products will be made in Wysing鈥檚 gallery, where they will also be stored and dried, creating a working space and exhibition that will illustrate some of the key ideas behind the project, drawing on the Arts and Crafts movement, the Korean Intangible National Asset register and many other design revolutions.
On Saturday 7 July, there will be a Study Day with invited speakers and contributors, who will explore the themes of materiality, craft and making, and there will also be an opportunity to visit the kiln.
Further artists involved in the UK-Korea exchange programme will contribute to the thinking and inspiration behind the project, and the aesthetic presentation of their research over the past year. This includes UK artists Aaron Angell and Mark Essen who recently completed a residency in Korea, as well as Jina Lee and the Fairland Collective.
The gallery will remain open every day from 16 June to 15 July and will include works in production, alongside research that has informed the object designs.
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Over the course of three weeks, clay products will be made in Wysing鈥檚 gallery, where they will also be stored and dried, creating a working space and exhibition that will illustrate some of the key ideas behind a project developed by Grizedale Arts and Wysing Arts Centre as part of a UK-Korea Residency Exchange.
The 鈥榠n common ownership鈥� designs for the products have been developed over the past year and combine ideas and skills drawn from an UK-Korea exchange co-ordinated by Grizedale Arts and Wysing Arts Centre. Master potter Gyung-kyun Shin, black bamboo master Seonhui Choe, and chef Gae-hwa Lim, developed initial designs with UK designer/maker Tom Philipson and Grizedale Arts. These designs will be further evolved into a 鈥榝amily鈥� of products at Wysing by Korean designer Jungyou Choi, and potter, Hyunmin Shin, during a residency at Wysing in June and July.
The designs will make up a family of products for domestic use. Nests of bowls and bento boxes, chop sticks and spoons and many other fusions have been developed to be made with the simplest of means and homemade tools.
Potter, Hyunmin Shin, will be in-residence at Wysing refining the products and preparing Wysing鈥檚 onsite Anagama kiln for a spectacular 48-hour firing, from the 6-8 July. Wysing鈥檚 wood-fired Anagama kiln was built in 1998 by Japanese potter Izumihara Masanobu to a traditional Bizen, tear-drop shaped, design.
Over the course of three weeks, products will be made in Wysing鈥檚 gallery, where they will also be stored and dried, creating a working space and exhibition that will illustrate some of the key ideas behind the project, drawing on the Arts and Crafts movement, the Korean Intangible National Asset register and many other design revolutions.
On Saturday 7 July, there will be a Study Day with invited speakers and contributors, who will explore the themes of materiality, craft and making, and there will also be an opportunity to visit the kiln.
Further artists involved in the UK-Korea exchange programme will contribute to the thinking and inspiration behind the project, and the aesthetic presentation of their research over the past year. This includes UK artists Aaron Angell and Mark Essen who recently completed a residency in Korea, as well as Jina Lee and the Fairland Collective.
The gallery will remain open every day from 16 June to 15 July and will include works in production, alongside research that has informed the object designs.
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