Manipulate the World
Can a work of art make you question the way you see the world? Can it change your concept of reality? Welcome to a contemporary group exhibition examining what 脰yvind Fahlstr枚m鈥檚 ideas of manipulation and the theatrical might mean today. The exhibition takes over both floors of the museum, with 25 artists responding to these questions with works that react and infringe on the world.
Is the world a playing field?
When 脰yvind Fahlstr枚m developed a series of paintings with movable parts in the 1960s, the intention was not just to mobilise the painting鈥檚 narrative, the variable works also expressed an attitude towards society and politics. Fahlstr枚m was part of a Zeitgeist that wanted to redress static and authoritarian narratives and make the world a place that can be manipulated by everyone. This exhibition questions the current state of art鈥檚 manipulative possibilities 鈥 in a time of alternative facts, relative truths and fragmented narratives. Four historical works by Fahlstr枚m create the playing field for the exhibition.
The theatrical in motion on floor 4
Fahlstr枚m鈥檚 large installation, Dr Schweitzer鈥檚 Last Mission (1964鈥66) is on display on floor 4. The work gathers information and images into fragments that are brought together as a whole in a scenographic tableau. Although strictly speaking, the work is not a game, the form is reminiscent of playing pieces distributed over a surface and where facts, fiction and irrationality are mixed into a narrative with an open ending. Similarly, this part of the exhibition sets the theatrical in motion and questions how speculative settings can manipulate the world.
World Bank becomes a centre for a hidden zone on floor 2
In the windowless exhibition halls on the lower floor, a staged depot of gold ingots (脰yvind Fahlstr枚m鈥檚 World Bank, 1971) creates a centre for a narrative on the global distribution of money and power. Through Fahlstr枚m鈥檚 installation, this part of the exhibition establishes itself as a hidden zone, with tales and statements of what lies beneath and is hidden or protected from public view.
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Can a work of art make you question the way you see the world? Can it change your concept of reality? Welcome to a contemporary group exhibition examining what 脰yvind Fahlstr枚m鈥檚 ideas of manipulation and the theatrical might mean today. The exhibition takes over both floors of the museum, with 25 artists responding to these questions with works that react and infringe on the world.
Is the world a playing field?
When 脰yvind Fahlstr枚m developed a series of paintings with movable parts in the 1960s, the intention was not just to mobilise the painting鈥檚 narrative, the variable works also expressed an attitude towards society and politics. Fahlstr枚m was part of a Zeitgeist that wanted to redress static and authoritarian narratives and make the world a place that can be manipulated by everyone. This exhibition questions the current state of art鈥檚 manipulative possibilities 鈥 in a time of alternative facts, relative truths and fragmented narratives. Four historical works by Fahlstr枚m create the playing field for the exhibition.
The theatrical in motion on floor 4
Fahlstr枚m鈥檚 large installation, Dr Schweitzer鈥檚 Last Mission (1964鈥66) is on display on floor 4. The work gathers information and images into fragments that are brought together as a whole in a scenographic tableau. Although strictly speaking, the work is not a game, the form is reminiscent of playing pieces distributed over a surface and where facts, fiction and irrationality are mixed into a narrative with an open ending. Similarly, this part of the exhibition sets the theatrical in motion and questions how speculative settings can manipulate the world.
World Bank becomes a centre for a hidden zone on floor 2
In the windowless exhibition halls on the lower floor, a staged depot of gold ingots (脰yvind Fahlstr枚m鈥檚 World Bank, 1971) creates a centre for a narrative on the global distribution of money and power. Through Fahlstr枚m鈥檚 installation, this part of the exhibition establishes itself as a hidden zone, with tales and statements of what lies beneath and is hidden or protected from public view.
Artists on show
- Alexander Vaindorf
- Ângela Detanico & Rafael Laín
- Asli Cavusoglu
- Candice Lin
- Hito Steyerl
- Ibrahim Mahama
- Jakob Senneby & Simon Goldin
- Jill Magid
- Jonas Staal
- Juan Castillo
- Kajsa Dahlberg
- Katarina Pirak Sikku
- Lawrence Abu Hamdan
- Natasha Sadr Haghighian
- Nicholas Mangan
- Núria Güell
- Otobong Nkanga
- Öyvind Fahlström
- Prachya Phinthong
- Rivane Neuenschwander
- Rossella Biscotti
- Róza El-Hassan
- Sirous Namazi
- Suha Traboulsi
- Thu Van Tran
- Walid Ra`ad
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