Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892鈥�1897
In 1892 Jos茅phin P茅ladan (1858鈥�1918), a Rosicrucian, author, and critic, organized the first Salon de la Rose+Croix. This annual exhibition in Paris showcased mystical Symbolist art, particularly a hermetic, numinous vein of Symbolism that was favored by P茅ladan and dominant during the 1890s, a time when religious and occult practices often intertwined. Mysterious, visionary, and mythical subjects, often drawn from literary sources, prevailed in the art at the salons. Images of femmes fragiles and fatales, androgynous creatures, chimeras, and incubi were the norm, as were sinuous lines, attenuated figures, and antinaturalistic forms. Cosmopolitan in reach, the salons featured artists from Belgium, Finland, France, Italy, the Netherlands, Spain, and Switzerland, such as Antoine Bourdelle, Jean Delville, Rogelio de Egusquiza, Charles Filiger, Ferdinand Hodler, Fernand Khnopff, Alphonse Osbert, Armand Point, Gaetano Previati, Georges Rouault, Carlos Schwabe, Alexandre S茅on, Jan Toorop, Ville Vallgren, and F茅lix Vallotton. Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892鈥�1897 will capture a fascinating, transnational cross section of artists鈥攕ome well known, others less so鈥攁nd invite a fresh look at and new scholarship on late 19th-century Symbolist art.
Organized by Vivien Greene, Senior Curator, 19th- and Early 20th-Century Art, with the assistance of Ylinka Barotto, Curatorial Assistant, Mystical Symbolism will feature about 40 works culled from the six Salon de la Rose+Croix exhibitions as well as pertinent historical documents. A musical component with pieces by Erik Satie and others will complement the presentation and underscore how composers played key roles in the development of the movement. The exhibition will highlight central artworks shown at each salon in order to tease out themes such as the role of Orpheus, the adulation of the Primitives, and the cult of personality that developed around figures including Richard Wagner and P茅ladan himself. These carefully chosen works and groupings, in turn, will allow for an in-depth exploration of the diverse and sometimes opposing concepts that informed Symbolism in the 1890s. A fully illustrated catalogue will comprise essays on the salon and its main themes (Greene); the contemporary reception of the salon (Jean-David Jumeau-Lafond, independent scholar); and the connections between Symbolists tenets and those of early 20th-century avant-garde artists (Kenneth E. Silver, Professor of Art History, New York University). It will also contain a selected bibliography and artist entries authored by emerging scholars.
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In 1892 Jos茅phin P茅ladan (1858鈥�1918), a Rosicrucian, author, and critic, organized the first Salon de la Rose+Croix. This annual exhibition in Paris showcased mystical Symbolist art, particularly a hermetic, numinous vein of Symbolism that was favored by P茅ladan and dominant during the 1890s, a time when religious and occult practices often intertwined. Mysterious, visionary, and mythical subjects, often drawn from literary sources, prevailed in the art at the salons. Images of femmes fragiles and fatales, androgynous creatures, chimeras, and incubi were the norm, as were sinuous lines, attenuated figures, and antinaturalistic forms. Cosmopolitan in reach, the salons featured artists from Belgium, Finland, France, Italy, the Netherlands, Spain, and Switzerland, such as Antoine Bourdelle, Jean Delville, Rogelio de Egusquiza, Charles Filiger, Ferdinand Hodler, Fernand Khnopff, Alphonse Osbert, Armand Point, Gaetano Previati, Georges Rouault, Carlos Schwabe, Alexandre S茅on, Jan Toorop, Ville Vallgren, and F茅lix Vallotton. Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892鈥�1897 will capture a fascinating, transnational cross section of artists鈥攕ome well known, others less so鈥攁nd invite a fresh look at and new scholarship on late 19th-century Symbolist art.
Organized by Vivien Greene, Senior Curator, 19th- and Early 20th-Century Art, with the assistance of Ylinka Barotto, Curatorial Assistant, Mystical Symbolism will feature about 40 works culled from the six Salon de la Rose+Croix exhibitions as well as pertinent historical documents. A musical component with pieces by Erik Satie and others will complement the presentation and underscore how composers played key roles in the development of the movement. The exhibition will highlight central artworks shown at each salon in order to tease out themes such as the role of Orpheus, the adulation of the Primitives, and the cult of personality that developed around figures including Richard Wagner and P茅ladan himself. These carefully chosen works and groupings, in turn, will allow for an in-depth exploration of the diverse and sometimes opposing concepts that informed Symbolism in the 1890s. A fully illustrated catalogue will comprise essays on the salon and its main themes (Greene); the contemporary reception of the salon (Jean-David Jumeau-Lafond, independent scholar); and the connections between Symbolists tenets and those of early 20th-century avant-garde artists (Kenneth E. Silver, Professor of Art History, New York University). It will also contain a selected bibliography and artist entries authored by emerging scholars.
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