黑料不打烊

This special exhibition at Neue Galerie New York debuts in conjunction with the centenary of Gustav F. Hartlaub鈥檚 1925 groundbreaking survey of the same name held at the Kunsthalle Mannheim. The New Objectivity movement is considered one of the most significant artistic developments of the twentieth century. Hartlaub鈥檚 presentation showcased a new style of art that had emerged in the aftermath of World War I, characterized by its critical realism, social commentary, and detailed depiction of contemporary life, and marking a significant departure from Expressionism鈥檚 emotional intensity.

The Neue Sachlichkeit movement was divided by two philosophies鈥攖he unflinching and socially critical Verists (represented by Otto Dix, George Grosz, and Georg Scholz, for example), and the Classicists (such as Alexander Kanoldt, Georg Schrimpf, and Christian Schad), who focused on harmony and beauty. The show will offer a wide-ranging perspective, exploring the tension between the Verists and the Classicists, which will be illustrated through a multidisciplinary installation, featuring paintings, sculpture, photography, decorative arts, works on paper, and film. The artists represented include Max Beckmann, Marianne Brandt, Marcel Breuer, Otto Dix, Carl Grossberg, George Grosz, Karl Hubbuch, August Sander, Christian Schad, Oskar Schlemmer, and Georg Scholz, among others. The presentation interprets these two camps as a coherent chapter in art history, focusing on the ways that the New Objectivity proponents mirrored the Weimar Republic鈥檚 cultural, political, and social complexities.