New Horizons of Painting: Part one: The identities of Others
Through the trilogy of exhibitions 鈥楴ew Horizon of Painting鈥, Frissiras Museum, presents distinguished artists from its collections, depicts contemporary figurartive trends in painting from all over the world, in an effort to comment on the tangible and intangible notions in the history of painting, its underlying dynamics and its fields of expression in the future.
In this, first out of three, part , entitled 鈥楾he Identities of Others鈥, each artist approaches in their own way, the notion of identity, expressing not only individual, but also collective aspirations. It seems that, without abolishing one鈥檚 uniqueness, identity can, through art, function not just as a limitation, but a liberation as well.
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Through the trilogy of exhibitions 鈥楴ew Horizon of Painting鈥, Frissiras Museum, presents distinguished artists from its collections, depicts contemporary figurartive trends in painting from all over the world, in an effort to comment on the tangible and intangible notions in the history of painting, its underlying dynamics and its fields of expression in the future.
In this, first out of three, part , entitled 鈥楾he Identities of Others鈥, each artist approaches in their own way, the notion of identity, expressing not only individual, but also collective aspirations. It seems that, without abolishing one鈥檚 uniqueness, identity can, through art, function not just as a limitation, but a liberation as well.