Notations on Time
Notations on Time is a group exhibition that explores the philosophical and political dimensions of time through the works of 20 contemporary artists from South Asia and its diaspora. Curated by Sandhini Poddar and Sabih Ahmed, the exhibition stages a dialogue between artistic generations to highlight entanglements between the past, present and future. The exhibition exists as a veritable laboratory of time, exploring art in notational, experimental and fragmentary forms. Standing apart from Western notions of linearity, progress and capitalist domination, Notations on Time explores ontological systems that reveal how artists from this region and its diaspora think about aesthetics, existence, remembrance and futurity.
Where and how do we 鈥榬ead鈥 time? On bodies, skins, machines, rivers, landscapes, and stars. Within wormholes in cosmic space and underground, in unseen root systems, within site-readings from archaeological and evidentiary fieldwork, within ancestry and oral traditions, within myths, folklore and storytelling, within science fiction and mixed realities, within long-dead stars in the cosmos viewed through powerful telescopes, and so much more. The exhibition poses questions such as, 鈥榳hat happens when residues from the past are reincarnated into the future? Where does the jurisdiction of the present end? What is the future of the past? What possibilities can the space of an exhibition offer to think through these questions?鈥
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Notations on Time is a group exhibition that explores the philosophical and political dimensions of time through the works of 20 contemporary artists from South Asia and its diaspora. Curated by Sandhini Poddar and Sabih Ahmed, the exhibition stages a dialogue between artistic generations to highlight entanglements between the past, present and future. The exhibition exists as a veritable laboratory of time, exploring art in notational, experimental and fragmentary forms. Standing apart from Western notions of linearity, progress and capitalist domination, Notations on Time explores ontological systems that reveal how artists from this region and its diaspora think about aesthetics, existence, remembrance and futurity.
Where and how do we 鈥榬ead鈥 time? On bodies, skins, machines, rivers, landscapes, and stars. Within wormholes in cosmic space and underground, in unseen root systems, within site-readings from archaeological and evidentiary fieldwork, within ancestry and oral traditions, within myths, folklore and storytelling, within science fiction and mixed realities, within long-dead stars in the cosmos viewed through powerful telescopes, and so much more. The exhibition poses questions such as, 鈥榳hat happens when residues from the past are reincarnated into the future? Where does the jurisdiction of the present end? What is the future of the past? What possibilities can the space of an exhibition offer to think through these questions?鈥
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