ONLINE: Subterranean Virtualscapes
Virginia Bianchi Gallery is delighted to present Subterranean Virtualscapes, a group show showcasing the works of 15 Italian artists engaging with new technologies. To participate in the newly established dialogue about the crypto space, the show will include works offered as NFTs on hicetnunc.xzy, making Subterranean Virtualscapes the first exhibition of its kind in the Italian art scene.
Subterranean Virtualscapes is the result of the gallery鈥檚 willingness to be involved with two different subjects, the first being the recently boomed crypto art marketplace: VBG believes it is paramount, for realities operating in the realm of digital art, to engage with the new terrain of NFTs to take a stance against its critical ecological unsustainability and pledged free market opportunities. Subterranean Virtualscapes is our answer to this too-hastily-expanded ecosystem whose basic technology, however, we believe could be beneficial to artists and other players of the digital art world.
For this reason, the platform hic et nunc has been chosen to host the minting of the works in their NFT version: hic et nunc is a newly established, decentralised marketplace for NFTs on the Tezos blockchain, a cryptocurrency that uses proof of stake, a 90% greener and more sustainable process than its counterpart, proof of work, used by most popular currencies like Ethereum and Bitcoins. To assure neophytes of crypto art the opportunity to take part in the collecting process, VBG also chose to make the works available through a traditional acquisition process 鈥� with fiat and authenticity certificates.
The second subject addressed by Subterranean Virtualscapes is digital art in the Italian ecosystem. In line with the gallery鈥檚 mission, the show poses itself to be an innovative and groundbreaking opportunity for Italian-born artists to experiment with a still unfamiliar medium for the Italian art scene. In September 2012 issue of Artforum, art historian and critic Claire Bishop referred to the art market鈥檚 hesitation to embrace new media art as 鈥渁 preoccupation that is present but denied, perpetually active but apparently buried鈥�: while the situation might have improved in other countries, Italy still has a long way to go. Subterranean Virtualscapes is the first step towards the gallery鈥檚 long term commitment to create online and offline exhibiting spaces for Italian new media artists, in a wider attempt to put digital art under the spotlight.
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Virginia Bianchi Gallery is delighted to present Subterranean Virtualscapes, a group show showcasing the works of 15 Italian artists engaging with new technologies. To participate in the newly established dialogue about the crypto space, the show will include works offered as NFTs on hicetnunc.xzy, making Subterranean Virtualscapes the first exhibition of its kind in the Italian art scene.
Subterranean Virtualscapes is the result of the gallery鈥檚 willingness to be involved with two different subjects, the first being the recently boomed crypto art marketplace: VBG believes it is paramount, for realities operating in the realm of digital art, to engage with the new terrain of NFTs to take a stance against its critical ecological unsustainability and pledged free market opportunities. Subterranean Virtualscapes is our answer to this too-hastily-expanded ecosystem whose basic technology, however, we believe could be beneficial to artists and other players of the digital art world.
For this reason, the platform hic et nunc has been chosen to host the minting of the works in their NFT version: hic et nunc is a newly established, decentralised marketplace for NFTs on the Tezos blockchain, a cryptocurrency that uses proof of stake, a 90% greener and more sustainable process than its counterpart, proof of work, used by most popular currencies like Ethereum and Bitcoins. To assure neophytes of crypto art the opportunity to take part in the collecting process, VBG also chose to make the works available through a traditional acquisition process 鈥� with fiat and authenticity certificates.
The second subject addressed by Subterranean Virtualscapes is digital art in the Italian ecosystem. In line with the gallery鈥檚 mission, the show poses itself to be an innovative and groundbreaking opportunity for Italian-born artists to experiment with a still unfamiliar medium for the Italian art scene. In September 2012 issue of Artforum, art historian and critic Claire Bishop referred to the art market鈥檚 hesitation to embrace new media art as 鈥渁 preoccupation that is present but denied, perpetually active but apparently buried鈥�: while the situation might have improved in other countries, Italy still has a long way to go. Subterranean Virtualscapes is the first step towards the gallery鈥檚 long term commitment to create online and offline exhibiting spaces for Italian new media artists, in a wider attempt to put digital art under the spotlight.
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