Objects Redux: Studio Craft in Context, 1960-1985
Regardless of the materials they choose to use, artists respond to鈥攐r in other ways reflect鈥攖he world around them. In the retrospective light of history, works can sometimes be read as 鈥渙f the time鈥� they were made鈥攏ot just because of the particular artist that made them but also because of aesthetic or material choices. This exhibition plays to that idea and places studio craft in the context of two-dimensional paintings and works on paper made between 1960 and 1985. It provides a theoretical structure for understanding the larger social and cultural environment that helped to shape the content and form of the work.
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Regardless of the materials they choose to use, artists respond to鈥攐r in other ways reflect鈥攖he world around them. In the retrospective light of history, works can sometimes be read as 鈥渙f the time鈥� they were made鈥攏ot just because of the particular artist that made them but also because of aesthetic or material choices. This exhibition plays to that idea and places studio craft in the context of two-dimensional paintings and works on paper made between 1960 and 1985. It provides a theoretical structure for understanding the larger social and cultural environment that helped to shape the content and form of the work.
Artists on show
- Beatrice Wood
- Bob Stocksdale
- Claire Zeisler
- Dale Chihuly
- David Leach
- Edward Cromey
- Edwin Scheier
- Elsie Marie Bates Freund
- Eugene Deutch
- Gertrud Natzler
- Harry Nohr
- James L. Tanner
- Joan Pearson Watkins
- Joel Philip Myers
- Karen Karnes
- Lucie Rie
- Maria Montoya Martinez
- Mary Scheier
- Mary Tingley
- Otto Natzler
- Richard DeVore
- Robert Ebendorf
- Ronald Hayes Pearson
- Susan Harnly Peterson
- Toshiko Takaezu
- Verne Funk
- William Spratling
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