Permanent Collection
Crossing borders, fences, making walls permeable. A porous membrane, that of a museum in a fortress. Beyond the white cube, a collection. Our strategic plan, Es Baluard 2018, has a bearing on a model of museum the main mission of which is to answer for the value of the artistic heritage which it keeps in its custody and is bound to transmit to society.
Thus, the institution seeks to transcend the walls of the museum container to become an organic body, a transmitter and receiver of the cultural evolution of our times. The current availability of the permanent collection will be reinforced with the inclusion of, and dialogue on the latest artworks incorporated, in addition to collaborations with artists, collectors and other entities with the common denominator of inside-out.
The Es Baluard cultural complex is caught up in the museological discourse, leading to new interpretations based on significant pieces 鈥� acquired by the foundation itself 鈥� which allude precisely to the relationship between interior and exterior landscapes, things domestic and the elements, the social being and individual intimacy. A window and a spyhole that enables us to continue researching along the lines opened up and delve further into the analysis of study cases of the multiple narratives of art history.
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Crossing borders, fences, making walls permeable. A porous membrane, that of a museum in a fortress. Beyond the white cube, a collection. Our strategic plan, Es Baluard 2018, has a bearing on a model of museum the main mission of which is to answer for the value of the artistic heritage which it keeps in its custody and is bound to transmit to society.
Thus, the institution seeks to transcend the walls of the museum container to become an organic body, a transmitter and receiver of the cultural evolution of our times. The current availability of the permanent collection will be reinforced with the inclusion of, and dialogue on the latest artworks incorporated, in addition to collaborations with artists, collectors and other entities with the common denominator of inside-out.
The Es Baluard cultural complex is caught up in the museological discourse, leading to new interpretations based on significant pieces 鈥� acquired by the foundation itself 鈥� which allude precisely to the relationship between interior and exterior landscapes, things domestic and the elements, the social being and individual intimacy. A window and a spyhole that enables us to continue researching along the lines opened up and delve further into the analysis of study cases of the multiple narratives of art history.
Artists on show
- Amador
- Amedeo Modigliani
- Amparo Sard
- André Masson
- Andreu Terrades
- Antoni Gelabert
- Apeles Fenosa
- Carles Congost
- Concha Jerez
- Darja Bajagic
- Dennis Oppenheim
- Dominique Gonzalez-Foerster
- Doris Salcedo
- Eduard Swoboda
- Eduardo Basualdo
- Eliseu Meifrèn y Roig
- Elmyr de Hory
- Eulàlia Valldosera
- Eva Lootz
- Fabrizio Plessi
- Fernand Léger
- Ferrán García Sevilla
- Georges Braque
- Hermen Anglada Camarasa
- Iman Issa
- Jean-Marie Del Moral
- Joan Miró
- Joan Rafel
- Joaquin Sorolla y Bastida
- Jonathan Meese
- José Maria Sicilia
- Josep Guinovart
- Juan Muñoz
- Kimsooja
- Leo Gestel
- Los Carpinteros
- María Blanchard
- Marina Abramovi膰
- Médard Verburgh
- Miquel Barceló
- Miriam Cahn
- Nan Goldin
- Nevin Aladag
- Pablo Picasso
- Rafael Tur Costa
- Reynaldo Luza
- Ricardo Anckermann
- Rogi André
- Santiago Rusiñol
- Sibylle de Kaskel
- Susana Solano
- Susy Gómez
- Sylvie Fleury
- Tamara Arroyo
- Teresa Matas
- Thea Djordjadze
- Tito Cittadini
- Uri Aran
- Valerie Snobeck
- Wifredo Lam
- Wolf Vostell
- Yannick Vu
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