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How humans experience and impact the landscape is of primary concern to Maya Lin, one of the foremost artists of our time whose ecologically inspired works exist at the intersection of art, architecture, and environmental science. Using technological methods to study and visualize the natural world, Lin takes macro and micro views of the Earth—via sonar resonance scans, and aerial and satellite mapping devices—and translates that information into expressive sculptures, drawings, and sited installations.

This summer at the Parrish, Platform: Maya Lin will feature Lin’s Pin River – Sandy, a massive geographical installation depicting the boundaries of Hurricane Sandy’s flood plain, composed of thousands of straight pins, installed on the east wall of the Norman and Liliane Peck/Peter Jay Sharp Foundation Gallery. Three new recycled silver works, Accabonac Harbor, Georgica Pond and Mecox Bay, related to the location of the Museum on Long Island’s East End will be installed on the wall opposite Pin River – Sandy. Lin’s three marble sculptures, Arctic Circle, Latitude New York City, and Equator, representing the typographies at each of these positions on the globe, will be installed in concentric rings in the center of the Wassong Family Gallery at the entrance to the Museum. Through works of extraordinary beauty, Maya Lin reveals aspects of the natural world that are normally invisible to us and emphasizes the interconnectedness of all regions of the planet.