Prendergast to Pollock: American Modernism from the Munson-Williams-Proctor Arts Institute
The exhibition, Prendergast to Pollock: American Modernism from the Munson-Williams-Proctor Arts Institutefeatures 35 masterworks, drawn from the permanent collection of the Munson-Williams-Proctor Arts Institute in Utica, NY. Prendergast to Pollock includes important paintings by many of the leading progressive and avant-garde American artists who shaped the history of American art in the first half of the 20th century, including, Charles E. Burchfield (1893-1967), Arthur B. Davies (1862-1928), Arthur G. Dove (1880-1946), Arshile Gorky (1904-48), Edward Hopper (1882-1967), George B. Luks (1866-1933), Reginald Marsh (1898-1954), Jackson Pollock (1912-56), Maurice B. Prendergast (1858-1924), Theodoros Stamos (1922-97), and Mark Tobey (1890-1976). Additional works are drawn from the Everson Museum鈥檚 permanent collection.
Through these paintings visitors will explore three kinds of traditional artistic subject matter鈥攍andscape, still life and figurative work. Other works in the exhibition embody different manifestations of the mid-20th century art movement known as Abstract Expressionism鈥攖he first American art movement to receive international recognition and influence. In addition to the iconic beauty of the works in the exhibition, visitors will have an opportunity to observe how leading modern American artists depicted similar representational and abstract subject matter.
Many of the paintings in Prendergast to Pollock were originally owned by Edward Wales Root (1884-1956) of Clinton, N.Y., a pioneering collector of modern American art who, over the course of nearly five decades, kept current with the contemporary art of his lifetime. In 1953 The Metropolitan Museum of Art in New York City displayed a large selection of works from his collection. This was the first private collection of contemporary American art ever exhibited at that institution. MWPAI Museum of Art Director D鈥橝mbrosio noted, 鈥淓dward Wales Root is among the most important collectors of modern art of his generation. His personal relationships with artists and his keen eye resulted in an exceptionally strong representation of the transformation of the visual arts in the first half of the 20th century.鈥�
In 1957 Root bequeathed his large collection of 227 American modernist pictures ranging in date from 1902 to 1953 by eighty different American artists to the Utica museum. Root鈥檚 bequest was one of the most important donations of American modernist art in its time. It brought national attention to the fledgling Munson-Williams-Proctor Arts Institute, and profoundly influenced its subsequent collecting activity, its exhibition program, and the Institute鈥檚 decision to commission architect Philip Johnson (1906-2005) to design his first art museum, which opened to international acclaim in 1960.
The exhibition, Prendergast to Pollock: American Modernism from the Munson-Williams-Proctor Arts Institutefeatures 35 masterworks, drawn from the permanent collection of the Munson-Williams-Proctor Arts Institute in Utica, NY. Prendergast to Pollock includes important paintings by many of the leading progressive and avant-garde American artists who shaped the history of American art in the first half of the 20th century, including, Charles E. Burchfield (1893-1967), Arthur B. Davies (1862-1928), Arthur G. Dove (1880-1946), Arshile Gorky (1904-48), Edward Hopper (1882-1967), George B. Luks (1866-1933), Reginald Marsh (1898-1954), Jackson Pollock (1912-56), Maurice B. Prendergast (1858-1924), Theodoros Stamos (1922-97), and Mark Tobey (1890-1976). Additional works are drawn from the Everson Museum鈥檚 permanent collection.
Through these paintings visitors will explore three kinds of traditional artistic subject matter鈥攍andscape, still life and figurative work. Other works in the exhibition embody different manifestations of the mid-20th century art movement known as Abstract Expressionism鈥攖he first American art movement to receive international recognition and influence. In addition to the iconic beauty of the works in the exhibition, visitors will have an opportunity to observe how leading modern American artists depicted similar representational and abstract subject matter.
Many of the paintings in Prendergast to Pollock were originally owned by Edward Wales Root (1884-1956) of Clinton, N.Y., a pioneering collector of modern American art who, over the course of nearly five decades, kept current with the contemporary art of his lifetime. In 1953 The Metropolitan Museum of Art in New York City displayed a large selection of works from his collection. This was the first private collection of contemporary American art ever exhibited at that institution. MWPAI Museum of Art Director D鈥橝mbrosio noted, 鈥淓dward Wales Root is among the most important collectors of modern art of his generation. His personal relationships with artists and his keen eye resulted in an exceptionally strong representation of the transformation of the visual arts in the first half of the 20th century.鈥�
In 1957 Root bequeathed his large collection of 227 American modernist pictures ranging in date from 1902 to 1953 by eighty different American artists to the Utica museum. Root鈥檚 bequest was one of the most important donations of American modernist art in its time. It brought national attention to the fledgling Munson-Williams-Proctor Arts Institute, and profoundly influenced its subsequent collecting activity, its exhibition program, and the Institute鈥檚 decision to commission architect Philip Johnson (1906-2005) to design his first art museum, which opened to international acclaim in 1960.
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