Simone Westerwinter
Simone Westerwinter shows in its exhibition "Solo - New Work" nonobjective, abstract, painterly works on canvas and stone, which are entirely dedicated to pure color and their structural effect. It shall be issued by 2016, among other multi-part paintings and picture series from this year, and new stone sculptures. The colors contributes Westerwinter on fanned from warm to cold tones and vice versa. Always there is a portion of the color spectrum with either separated graduated color areas in cruder, abrupt steps or finer, gentle curves on the basis of pure color pigments. On the one hand there arise areas with iridescent rainbow colors, on the other hand, it is only a reduced range of a few colors. The arrangement of the colors and rough as well as fine differences in color shades creates a formal, systematic color field painting.
This minimalist representation developed an impressive spatial effect, the associations with the landscape awaken despite their abstraction. With the analytical and structuring effect of color is Westerwinter involved in her work for several years. For this Westerwinter has developed its own method by first applying by means of a paint brush on a canvas and then pour more color cups on it, or to shake, and then press the next step in the still wet canvas surface a second, untreated canvas , The canvas treated acts as a floor for further screens, whereby the process can be repeated alternately. So even with the diptych Solo Color 15, acting ostensibly as it would consist of two identical work. On closer inspection, it becomes clear that it is a mirror image behave and small differences exist. "With this painting I anonymize the painting process. The result seems less arbitrary and more objective.
At the same time an insight into the artistic approach is possible for the viewer, which is at least partly visually comprehensible. I lay open, like something has arisen. Since art imitates life, perhaps not fully reflected, but it still resembles the viewer in art hopes to quench his desire to understand the world and its laws and mechanisms a bit and maybe even love. "
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Simone Westerwinter shows in its exhibition "Solo - New Work" nonobjective, abstract, painterly works on canvas and stone, which are entirely dedicated to pure color and their structural effect. It shall be issued by 2016, among other multi-part paintings and picture series from this year, and new stone sculptures. The colors contributes Westerwinter on fanned from warm to cold tones and vice versa. Always there is a portion of the color spectrum with either separated graduated color areas in cruder, abrupt steps or finer, gentle curves on the basis of pure color pigments. On the one hand there arise areas with iridescent rainbow colors, on the other hand, it is only a reduced range of a few colors. The arrangement of the colors and rough as well as fine differences in color shades creates a formal, systematic color field painting.
This minimalist representation developed an impressive spatial effect, the associations with the landscape awaken despite their abstraction. With the analytical and structuring effect of color is Westerwinter involved in her work for several years. For this Westerwinter has developed its own method by first applying by means of a paint brush on a canvas and then pour more color cups on it, or to shake, and then press the next step in the still wet canvas surface a second, untreated canvas , The canvas treated acts as a floor for further screens, whereby the process can be repeated alternately. So even with the diptych Solo Color 15, acting ostensibly as it would consist of two identical work. On closer inspection, it becomes clear that it is a mirror image behave and small differences exist. "With this painting I anonymize the painting process. The result seems less arbitrary and more objective.
At the same time an insight into the artistic approach is possible for the viewer, which is at least partly visually comprehensible. I lay open, like something has arisen. Since art imitates life, perhaps not fully reflected, but it still resembles the viewer in art hopes to quench his desire to understand the world and its laws and mechanisms a bit and maybe even love. "
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