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For instance, Christine Corday鈥檚 untitled white monochromatic paintings on aluminum (all 2017), distinguished only by a slight bend or fold, act as counterpoints to Keef Winter鈥檚 鈥淗igh Street Girl 2鈥� (2016), a monochromatic powder-coated pink painting on aluminum, vigorously hand-pounded by a hammer 鈥� the irregular and shadow-pocked contours of which become all the more heightened next to the crisp-edged, flat expanse of Joshua Smith鈥檚 untitled monochromatic pink painting on canvas (2011). Similar to Saroyan鈥檚 focused use of prosody and the space of the page for underscoring the materiality of language, the works presented here require the physical space around them and incidental environmental conditions such as light to assist in articulating their non-pictorial visuality.
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For instance, Christine Corday鈥檚 untitled white monochromatic paintings on aluminum (all 2017), distinguished only by a slight bend or fold, act as counterpoints to Keef Winter鈥檚 鈥淗igh Street Girl 2鈥� (2016), a monochromatic powder-coated pink painting on aluminum, vigorously hand-pounded by a hammer 鈥� the irregular and shadow-pocked contours of which become all the more heightened next to the crisp-edged, flat expanse of Joshua Smith鈥檚 untitled monochromatic pink painting on canvas (2011). Similar to Saroyan鈥檚 focused use of prosody and the space of the page for underscoring the materiality of language, the works presented here require the physical space around them and incidental environmental conditions such as light to assist in articulating their non-pictorial visuality.
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