Humans are a story-telling species. From carefully selected fragments of information, we construct narratives that give coherence and meaning to our lives. "Modernism" is the name of the story we invented to describe the disparate aesthetic responses to Western industrialization. "Outsider Art" is one of several names (others include "Art Brut," "folk," na茂ve," "primitive" and "self-taught") that we gave to the creations of people who, though not part of the modernist mainstream, nevertheless produced work that the modernists considered germane to their own efforts. The creators who were assigned these various labels had almost nothing in common. They included farmers and circus performers; mental patients and spirit mediums. The artists, for the most part, neither knew each other nor of one another, and their works shared few, if any, stylistic characteristics. United only by their relative ignorance of the art world's ongoing discourse, this group constituted a shape-shifting, all-purpose "other."