Streams of Warm Impermanence
Streams of Warm Impermanence is a group exhibition at DRAF (David Roberts Art Foundation) of artworks that embody new iterations of flesh in a networked era. It looks beyond well-rehearsed anxieties about human corporeity rendered either excluded and redundant, or abstracted and vacuous, by the digital era; to empowered bodies operating through the network to perform, transform, transcribe, reconfigure or reinvent. Streams of Warm Impermanence looks at artworks that articulate a vision of flesh as a material and a locus of fluid identity full of potential.
The artists in this exhibition work with 鈥楴etworked-Flesh鈥�, which infiltrates and is informed by the systems around it: these bodies are both subjects and objects. Neither static and solid nor fully fluid, they approach a condition of Sublimation (a term from Physics for a direct transition from solid to gas). As they infect, pollinate or mutate through networks, all bodies have the potential to be 鈥渢rans-鈥� in its literal meaning: across, through, beyond.
The exhibition includes sculptures, paintings, drawings and never previously presented in London as well as new commissions. Practices by international contemporary artists are accompanied by historical works that point to key moments of shift in artists鈥� engagement with the body.
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Streams of Warm Impermanence is a group exhibition at DRAF (David Roberts Art Foundation) of artworks that embody new iterations of flesh in a networked era. It looks beyond well-rehearsed anxieties about human corporeity rendered either excluded and redundant, or abstracted and vacuous, by the digital era; to empowered bodies operating through the network to perform, transform, transcribe, reconfigure or reinvent. Streams of Warm Impermanence looks at artworks that articulate a vision of flesh as a material and a locus of fluid identity full of potential.
The artists in this exhibition work with 鈥楴etworked-Flesh鈥�, which infiltrates and is informed by the systems around it: these bodies are both subjects and objects. Neither static and solid nor fully fluid, they approach a condition of Sublimation (a term from Physics for a direct transition from solid to gas). As they infect, pollinate or mutate through networks, all bodies have the potential to be 鈥渢rans-鈥� in its literal meaning: across, through, beyond.
The exhibition includes sculptures, paintings, drawings and never previously presented in London as well as new commissions. Practices by international contemporary artists are accompanied by historical works that point to key moments of shift in artists鈥� engagement with the body.
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