Summer Nocturne: Works on Paper from the 1970s
Summer Nocturne: Works on Paper from the 1970s is inspired by several large works on paper from the Museum鈥檚 permanent collection. The exhibition title is borrowed from one of these works: a nearly 8-foot tall, multilayered construction by Richard Dunlap, a multidisciplinary artist whose interactive installations and performances of the 1970s embraced improvisation. Taking a cue from Dunlap鈥檚 work, the exhibition eschews a central narrative or subject, instead leaping intuitively across a decade that witnessed a multitude of converging artistic influences.
Works in Summer Nocturne range in character from the introspective to the participatory, and span in style from the traditional to the experimental. While some evoke a sense of deliberate solitude or introspection, others suggest a more open sense of participation and play. Most are pushing the boundaries posed by artistic styles and movements prevalent in the decade: abstraction, Conceptual art, Earth art, Feminism, Fluxus, illustration, Minimalism, and Performance art.
Indicative of the larger field of art produced in the 1970s, works in the exhibition are products of an era marked by the social events of the late 1960s, a renewed attention to the body, an awakening to the environment, a challenging of authority, the documentation of art and artistic activity, and an investment in the notion of the ephemeral. Re-examined today, these works appear fresh and relevant not just because of the exigency of such issues, but also because they reveal an individualistic commitment to investigation that is in essence timeless.
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Summer Nocturne: Works on Paper from the 1970s is inspired by several large works on paper from the Museum鈥檚 permanent collection. The exhibition title is borrowed from one of these works: a nearly 8-foot tall, multilayered construction by Richard Dunlap, a multidisciplinary artist whose interactive installations and performances of the 1970s embraced improvisation. Taking a cue from Dunlap鈥檚 work, the exhibition eschews a central narrative or subject, instead leaping intuitively across a decade that witnessed a multitude of converging artistic influences.
Works in Summer Nocturne range in character from the introspective to the participatory, and span in style from the traditional to the experimental. While some evoke a sense of deliberate solitude or introspection, others suggest a more open sense of participation and play. Most are pushing the boundaries posed by artistic styles and movements prevalent in the decade: abstraction, Conceptual art, Earth art, Feminism, Fluxus, illustration, Minimalism, and Performance art.
Indicative of the larger field of art produced in the 1970s, works in the exhibition are products of an era marked by the social events of the late 1960s, a renewed attention to the body, an awakening to the environment, a challenging of authority, the documentation of art and artistic activity, and an investment in the notion of the ephemeral. Re-examined today, these works appear fresh and relevant not just because of the exigency of such issues, but also because they reveal an individualistic commitment to investigation that is in essence timeless.
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