Taking the form of an experimental laboratory or studio, "Superfake/The Parley" features new images, video and sculptural works by the Danish artist collective Superflex. The commissioned project takes a painting in the ASU Art Museum collection attributed to Frederic Remington as a starting point to examine issues of authenticity, reproduction and value, including the emotional value of an artwork.
Taking the form of an experimental laboratory or studio, "Superfake/The Parley" features new images, video and sculptural works by the Danish artist collective Superflex. The commissioned project takes a painting in the ASU Art Museum collection attributed to Frederic Remington as a starting point to examine issues of authenticity, reproduction and value, including the emotional value of an artwork.