Thilo Heinzmann: Voyage Visage Passage
Thilo Heinzmann鈥檚 fourth exhibition with the gallery, and his second in Paris is dedicated to the Pigment Paintings, a typology in the artist鈥檚 body of work which he invented 25 years ago.
鈥淭he paintings of Thilo Heinzmann are at once intuitive and absorbed in the tightness of aesthetic constraint: at once romantic and attuned to modern industrialism, engineering and manufacture. From such hybridization of intent derives their strange ecstasy and their moments of sensory epiphany 鈥� a point at which the eroticism of aesthetic science becomes stripped down and chemical: volatility stilled.鈥� (Michael Bracewell, 2013)
His works with pigment, for example, display that powdery dust, they exhibit it in its material concreteness, as one of the many specimens of matter that make up our world; but they also transform it into chromatic fields, exploring its wide yet subtle palette, letting color perform as it should after it has been freed of the burdens of representation.
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Thilo Heinzmann鈥檚 fourth exhibition with the gallery, and his second in Paris is dedicated to the Pigment Paintings, a typology in the artist鈥檚 body of work which he invented 25 years ago.
鈥淭he paintings of Thilo Heinzmann are at once intuitive and absorbed in the tightness of aesthetic constraint: at once romantic and attuned to modern industrialism, engineering and manufacture. From such hybridization of intent derives their strange ecstasy and their moments of sensory epiphany 鈥� a point at which the eroticism of aesthetic science becomes stripped down and chemical: volatility stilled.鈥� (Michael Bracewell, 2013)
His works with pigment, for example, display that powdery dust, they exhibit it in its material concreteness, as one of the many specimens of matter that make up our world; but they also transform it into chromatic fields, exploring its wide yet subtle palette, letting color perform as it should after it has been freed of the burdens of representation.
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