Things That Tumble Twice
Taking place in both gallery spaces, the exhibition Things That Tumble Twice looks at the sphere of duality. It recalls ideas of juxtaposition, complementarity and interrelated parts (i.e. matter and its absence, light and darkness, signifier and significant, thesis and antithesis, animate and inanimate objects, 0 s and 1s, yin and yang). On the other hand, and at the same time, the exhibition in its entirety is informed by the principle of multiplicity as becoming and unity鈥� as something that cannot be described as the sum of its parts or qualities but simply as an irreducible whole (i.e. complex systems, hermeneutic circle, organicism, life, a cloud).
The works in the exhibition change, mutate, perish; they look for each other over space and time, subtly, inhabiting and influencing the perception of the gallery ambients. In other words, the pieces in Things That Tumble Twice articulate the possibilities between a hypothesis of infinite divisibility鈥� or the absence of a continuum, and a concept of substance which is intended instead as multiplicity, and where essence is replaced by event. In this context, will meaning be created through reduction to minimal terms, sets and oppositions, or does it instead consist in the process of interconnectivity, the tension between more parts of an entity? The works float in and out from all these different statuses, yet intertwining fields, becoming 鈥榮omething that shows itself to the senses and something other than itself to the mind'.
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Taking place in both gallery spaces, the exhibition Things That Tumble Twice looks at the sphere of duality. It recalls ideas of juxtaposition, complementarity and interrelated parts (i.e. matter and its absence, light and darkness, signifier and significant, thesis and antithesis, animate and inanimate objects, 0 s and 1s, yin and yang). On the other hand, and at the same time, the exhibition in its entirety is informed by the principle of multiplicity as becoming and unity鈥� as something that cannot be described as the sum of its parts or qualities but simply as an irreducible whole (i.e. complex systems, hermeneutic circle, organicism, life, a cloud).
The works in the exhibition change, mutate, perish; they look for each other over space and time, subtly, inhabiting and influencing the perception of the gallery ambients. In other words, the pieces in Things That Tumble Twice articulate the possibilities between a hypothesis of infinite divisibility鈥� or the absence of a continuum, and a concept of substance which is intended instead as multiplicity, and where essence is replaced by event. In this context, will meaning be created through reduction to minimal terms, sets and oppositions, or does it instead consist in the process of interconnectivity, the tension between more parts of an entity? The works float in and out from all these different statuses, yet intertwining fields, becoming 鈥榮omething that shows itself to the senses and something other than itself to the mind'.
Artists on show
