Tu Hongtao: Twisting and Turning
L茅vy Gorvy is pleased to announce its first European exhibition with acclaimed Chinese artist Tu Hongtao (b. 1976). Following the gallery鈥檚 career survey of Tu鈥檚 paintings in Hong Kong in early 2020, this exhibition will debut new works never before exhibited. On view through 19 December, Tu Hongtao: Twisting and Turning features expansive paintings that occupy an expressive realm between landscape and abstraction, reflecting the atmosphere and influence of the rural area near where the artist resides. Tu synthesizes Chinese aesthetic traditions with postwar abstraction to create painterly effects that are vividly realized and profoundly original.
The exhibition鈥檚 title Twisting and Turning is inspired by the Chinese idiom Yibosanzhe鈥斺渁 twist and three turns鈥濃攁 phrase that originates from Jin Dynasty master calligrapher Wang Xizhi (303鈥361 CE). Originally referring to the elegant flourishes of Chinese calligraphy, the phrase now describes unpredictable, abruptly changing states of affairs, while also implying that good things never come easy. As Tu explains: 鈥淚 understand these words as espousing a certain aesthetic sensibility, namely, that painting ought not to be too neat and orderly, nor artistic production too decorative; both, rather, should involve a kind of friction, as with a blade against a grindstone.鈥 In the face of the uncertainty and global predicaments of the present, he has broken through with new forms of painterly expression in this body of works.
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L茅vy Gorvy is pleased to announce its first European exhibition with acclaimed Chinese artist Tu Hongtao (b. 1976). Following the gallery鈥檚 career survey of Tu鈥檚 paintings in Hong Kong in early 2020, this exhibition will debut new works never before exhibited. On view through 19 December, Tu Hongtao: Twisting and Turning features expansive paintings that occupy an expressive realm between landscape and abstraction, reflecting the atmosphere and influence of the rural area near where the artist resides. Tu synthesizes Chinese aesthetic traditions with postwar abstraction to create painterly effects that are vividly realized and profoundly original.
The exhibition鈥檚 title Twisting and Turning is inspired by the Chinese idiom Yibosanzhe鈥斺渁 twist and three turns鈥濃攁 phrase that originates from Jin Dynasty master calligrapher Wang Xizhi (303鈥361 CE). Originally referring to the elegant flourishes of Chinese calligraphy, the phrase now describes unpredictable, abruptly changing states of affairs, while also implying that good things never come easy. As Tu explains: 鈥淚 understand these words as espousing a certain aesthetic sensibility, namely, that painting ought not to be too neat and orderly, nor artistic production too decorative; both, rather, should involve a kind of friction, as with a blade against a grindstone.鈥 In the face of the uncertainty and global predicaments of the present, he has broken through with new forms of painterly expression in this body of works.
Artists on show
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Tu Hongtao's paintings revisit the traditions of Chinese painting while evading the perils of oversimplification and stagnation.