Ugo Rondinone
Ugo Rondinone鈥檚 exhibition at the Petit Palais comprises two ensembles of works enhanced by a new video installation. Revolving around human bodies in contact with the elements and nature, these works are in keeping with the multiple families of works produced by the artist since the late 1980s. Earth, sky, air, water and fire, associated with beings at rest or in movement, are invoked in the fulness of their spiritual dimension.
The first ensemble, humansky, welcomes visitors and immediately underlines the melding of being and the elements: seven moulded, suspended bodies embellished with a blue cloud-dotted sky 芦camouflage禄 confronting visitors with water and air.
The second group, historically the source of this trilogy, consists of nudes. Made from a blend of transparent wax and earth collected from seven continents, these sculptures also have a 芦camouflaged禄 look stemming from the mixing of their non-homogeneous components. They depict the bodies of male and female dancers seated and at rest. Created on a human scale, these nudes seem realistic at first, until the visitor, coming closer, discovers their clearly artificial aspect, particularly visible at the junction of their limbs with their bodies. These sculptures are thus 芦paradoxical禄 in their compliance with the Rondinone aesthetic: he plays on the 芦opposition禄 between what is expected of a dancer, and the pose he makes each one assume. Banishing any choreographed gesture and any reference to the stage space, these motionless, withdrawn bodies seem to have become one with nature, intensely concentrated and lost in a meditative state.
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Ugo Rondinone鈥檚 exhibition at the Petit Palais comprises two ensembles of works enhanced by a new video installation. Revolving around human bodies in contact with the elements and nature, these works are in keeping with the multiple families of works produced by the artist since the late 1980s. Earth, sky, air, water and fire, associated with beings at rest or in movement, are invoked in the fulness of their spiritual dimension.
The first ensemble, humansky, welcomes visitors and immediately underlines the melding of being and the elements: seven moulded, suspended bodies embellished with a blue cloud-dotted sky 芦camouflage禄 confronting visitors with water and air.
The second group, historically the source of this trilogy, consists of nudes. Made from a blend of transparent wax and earth collected from seven continents, these sculptures also have a 芦camouflaged禄 look stemming from the mixing of their non-homogeneous components. They depict the bodies of male and female dancers seated and at rest. Created on a human scale, these nudes seem realistic at first, until the visitor, coming closer, discovers their clearly artificial aspect, particularly visible at the junction of their limbs with their bodies. These sculptures are thus 芦paradoxical禄 in their compliance with the Rondinone aesthetic: he plays on the 芦opposition禄 between what is expected of a dancer, and the pose he makes each one assume. Banishing any choreographed gesture and any reference to the stage space, these motionless, withdrawn bodies seem to have become one with nature, intensely concentrated and lost in a meditative state.
Artists on show
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Swiss artist Ugo Rondinone takes over the beaux-arts halls of the Petit Palais with a monumental film installation and sculptures of trapeze dancers.
Every work in Ugo Rondinone鈥檚 distinctive oeuvre is imbued with emotion鈥攁 collection of intriguing ideas, bearing an infinite multitude of meanings exceptionally configured in ever-changing spaces.