Visible Communication
Mishkin Gallery is pleased to present Visible Communication, on view from March 28 鈥� June 6, 2025. Drawn almost entirely from the Baruch College Art Collection, the exhibition explores our relationship to communication technologies as tools for worldmaking, socially, culturally, and politically. The works on display are all concerned with some form of media and its mis/use, from traditional mass media (books, newspapers, TV) to experimental sound machines and instant cameras. The artists engage with these media technologies as subject matter, raw material, and apparatuses for image-making. Inspired by the title of Juan Downey鈥檚 work Do It Yourself: Invisible Communication, this exhibition asks us to look at the structures of communication around us, whether it鈥檚 complex networks of production and distribution too vast to behold, or everyday objects so common that we don鈥檛 stop to notice them.
The artists included in this exhibition have manipulated existing forms of media, embraced new technologies, or developed entirely novel tools for communicating. Many of the works on display focus on communication technologies that are not 鈥渘ew鈥� media per se, such as the printed book (c. 15th century) and newspaper (c. 17th century). However, all were created during the second half of the 20th century, a period marked by significant transformation in consumer communication technologies driven by Cold War defense research and state-funded economic incentives. As we stand on the precipice of another new information age with the ongoing arrival of AI, the exhibition looks to historical forms of communication technology and invites us to think about how we might navigate into the future.
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Mishkin Gallery is pleased to present Visible Communication, on view from March 28 鈥� June 6, 2025. Drawn almost entirely from the Baruch College Art Collection, the exhibition explores our relationship to communication technologies as tools for worldmaking, socially, culturally, and politically. The works on display are all concerned with some form of media and its mis/use, from traditional mass media (books, newspapers, TV) to experimental sound machines and instant cameras. The artists engage with these media technologies as subject matter, raw material, and apparatuses for image-making. Inspired by the title of Juan Downey鈥檚 work Do It Yourself: Invisible Communication, this exhibition asks us to look at the structures of communication around us, whether it鈥檚 complex networks of production and distribution too vast to behold, or everyday objects so common that we don鈥檛 stop to notice them.
The artists included in this exhibition have manipulated existing forms of media, embraced new technologies, or developed entirely novel tools for communicating. Many of the works on display focus on communication technologies that are not 鈥渘ew鈥� media per se, such as the printed book (c. 15th century) and newspaper (c. 17th century). However, all were created during the second half of the 20th century, a period marked by significant transformation in consumer communication technologies driven by Cold War defense research and state-funded economic incentives. As we stand on the precipice of another new information age with the ongoing arrival of AI, the exhibition looks to historical forms of communication technology and invites us to think about how we might navigate into the future.
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