Wall Fall II
Knoll Galerie continues its series of thematic group exhibitions: the exhibition "Fall of the Wall" deals with the surprising situation in the visual arts in a country that in the 1980s was part of the seemingly eternal Eastern Bloc - and yet participated in the development of New Painting and Postmodernism in the West. In the second part of the 1980s, more and more Hungarian artists participated in international exhibitions in the West - processes that were almost unimaginable in the state-socialist countries in the previous decades (and in the other countries of the Eastern Bloc).
Some reasons for these surprising events are known - countries in the West integrated artists from Hungary in current exhibitions in the course of the 1980s. Here Wilfried Schreiner must be mentioned, long-time director of the Neue Galerie Graz at the Landesmuseum Joanneum, who showed artists from Hungary (together with artists from Austria, Italy and Slovenia) in numerous exhibitions very early on. Thematically, these exhibitions dealt with the painting of the "Junge Wilden" in Germany and Austria or the "Transavanguardia" in Italy, which began in the early 80s.
In any case, in the 80s the participation of artists from socialist Hungary was a surprise. Artists for whom visiting international exhibitions in the West was already possible only under difficult conditions, now exhibited side by side with the Western stars of the latest art trends. A generation of artists who had already sought to join international art developments in some Eastern European countries in the late 1960s, and who were prevented from doing so at the time by severe repression, now took part in the latest (Western) developments together with young artists in the course of the 1980s and were accompanied by local young art historians, who increasingly organized exhibitions of the latest works in Hungary as well. In Hungary, this was mainly L贸r谩nd Hegyi (later director of the Museum of Modern Art Vienna from 1990 to 2001), who coined the term "New Sensibility" for these new tendencies in Hungarian painting.
Imre Bak, J贸zsef Bartl, Istv谩n Bod贸czky, P谩l Deim, L谩szl贸 Feh茅r, K谩roly Klim贸, Andr谩s Koncz, L谩szl贸 Mulasics, Gy枚rgy Sz艖nyei, 窜辞濒迟谩苍 罢枚濒驳-惭辞濒苍谩谤
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Knoll Galerie continues its series of thematic group exhibitions: the exhibition "Fall of the Wall" deals with the surprising situation in the visual arts in a country that in the 1980s was part of the seemingly eternal Eastern Bloc - and yet participated in the development of New Painting and Postmodernism in the West. In the second part of the 1980s, more and more Hungarian artists participated in international exhibitions in the West - processes that were almost unimaginable in the state-socialist countries in the previous decades (and in the other countries of the Eastern Bloc).
Some reasons for these surprising events are known - countries in the West integrated artists from Hungary in current exhibitions in the course of the 1980s. Here Wilfried Schreiner must be mentioned, long-time director of the Neue Galerie Graz at the Landesmuseum Joanneum, who showed artists from Hungary (together with artists from Austria, Italy and Slovenia) in numerous exhibitions very early on. Thematically, these exhibitions dealt with the painting of the "Junge Wilden" in Germany and Austria or the "Transavanguardia" in Italy, which began in the early 80s.
In any case, in the 80s the participation of artists from socialist Hungary was a surprise. Artists for whom visiting international exhibitions in the West was already possible only under difficult conditions, now exhibited side by side with the Western stars of the latest art trends. A generation of artists who had already sought to join international art developments in some Eastern European countries in the late 1960s, and who were prevented from doing so at the time by severe repression, now took part in the latest (Western) developments together with young artists in the course of the 1980s and were accompanied by local young art historians, who increasingly organized exhibitions of the latest works in Hungary as well. In Hungary, this was mainly L贸r谩nd Hegyi (later director of the Museum of Modern Art Vienna from 1990 to 2001), who coined the term "New Sensibility" for these new tendencies in Hungarian painting.
Imre Bak, J贸zsef Bartl, Istv谩n Bod贸czky, P谩l Deim, L谩szl贸 Feh茅r, K谩roly Klim贸, Andr谩s Koncz, L谩szl贸 Mulasics, Gy枚rgy Sz艖nyei, 窜辞濒迟谩苍 罢枚濒驳-惭辞濒苍谩谤
