When the Stars Begin to Fall
When the Stars Begin to Fall: Imagination and the American South considers the category of 鈥渙utsider鈥 art in relation to contemporary art and black life. Situating itself within current art historical and political debates, the exhibition features work by self-taught, spiritually inspired and incarcerated artists, alongside other projects based in performance and social-engagement, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place. With the majority of work created between 1964 and 2014, the exhibition brings together a group of thirty-five intergenerational American artists who share an interest in the American South as a location both real and imagined. Moving between a graphic sensibility, an interest in creation myths and the use of found materials and detritus, the artists reference various classical tropes of blackness as sites of origin fantastical and performed, important yet perhaps illusory.
Artists in the exhibition include: Benny Andrews, Kevin Beasley, McArthur Binion, Beverly Buchanan, Henry Ray Clark, Courtesy the Artists, Thornton Dial, Minnie Evans, Theaster Gates, Deborah Grant, Trenton Doyle Hancock, Bessie Harvey, David Hammons, Lonnie Holley, Frank Albert Jones, Lauren Kelley, Ralph Lemon, Kerry James Marshall, Rodney McMillian, Joe Minter, J.B. Murray, John Outterbridge, Noah Purifoy, Marie 鈥淏ig Mama鈥 Roseman, Jacolby Satterwhite, Patricia Satterwhite, Rudy Shepherd, Xaviera Simmons, Georgia Speller, Henry Speller, James 鈥淪on鈥 Thomas, Stacy Lynn Waddell, Kara Walker, Carrie Mae Weems and Geo Wyeth.
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When the Stars Begin to Fall: Imagination and the American South considers the category of 鈥渙utsider鈥 art in relation to contemporary art and black life. Situating itself within current art historical and political debates, the exhibition features work by self-taught, spiritually inspired and incarcerated artists, alongside other projects based in performance and social-engagement, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place. With the majority of work created between 1964 and 2014, the exhibition brings together a group of thirty-five intergenerational American artists who share an interest in the American South as a location both real and imagined. Moving between a graphic sensibility, an interest in creation myths and the use of found materials and detritus, the artists reference various classical tropes of blackness as sites of origin fantastical and performed, important yet perhaps illusory.
Artists in the exhibition include: Benny Andrews, Kevin Beasley, McArthur Binion, Beverly Buchanan, Henry Ray Clark, Courtesy the Artists, Thornton Dial, Minnie Evans, Theaster Gates, Deborah Grant, Trenton Doyle Hancock, Bessie Harvey, David Hammons, Lonnie Holley, Frank Albert Jones, Lauren Kelley, Ralph Lemon, Kerry James Marshall, Rodney McMillian, Joe Minter, J.B. Murray, John Outterbridge, Noah Purifoy, Marie 鈥淏ig Mama鈥 Roseman, Jacolby Satterwhite, Patricia Satterwhite, Rudy Shepherd, Xaviera Simmons, Georgia Speller, Henry Speller, James 鈥淪on鈥 Thomas, Stacy Lynn Waddell, Kara Walker, Carrie Mae Weems and Geo Wyeth.
Artists on show
- Benny Andrews
- Bessie Harvey
- Beverly Buchanan
- Carrie Mae Weems
- David Hammons
- Frank Jones
- Geo Wyex
- Georgia Speller
- Henry Ray Clark
- Henry Speller
- Jacolby T. Satterwhite
- Joe Minter
- John Bunion Murray
- John Outterbridge
- Kara Walker
- Kerry James Marshall
- Kevin Beasley
- Lauren Kelley
- Lonnie Holley
- Marie Roseman
- Minnie Evans
- Noah Purifoy
- Patricia Satterwhite
- Ralph Lemon
- Rodney McMillian
- Rudy Shepherd
- Stacy Lynn Waddell
- Theaster Gates Jr.
- Thornton Dial
- Trenton Doyle Hancock
- Xaviera Simmons
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