Winter Collection 2017
We extend a very warm welcome to you all to our Winter Collection.
We were very lucky recently, when a curator from the Waimate Museum in New Zealand contacted us about this wonderful document which they had uncovered in their archives. It is an advertising handbill created around 1880 enticing clients to consider Works of Art as enduring and sophisticated Christmas presents.
In its’ time it was a simple advertisement, however today it provides a fascinating insight into the past. The language that Harry Gladwell uses is so very eloquent, polite and considered. The surrounding images show the profound influence of Japanese art and culture on artists of the day, one of whom would have been commissioned to create this piece. During this period, Japanese art and design were seen as something new, fresh and exciting and Harry made no mistake in aligning the opening of his new gallery with the popular cultural phenomenon of the 1880’s.
As we continue our research into the document we are reminded that it was shortly before this time that Harry Gladwell was training to be an art dealer at Goupils in Paris with his friend Vincent Van Gogh, whose lodgings he shared. Vincent visited the Gladwell Gallery in Broad street on a number of occasions and often stayed with Harry in London. It would be fascinating to know what these two thought of the changing times back then.
Recommended for you
We extend a very warm welcome to you all to our Winter Collection.
We were very lucky recently, when a curator from the Waimate Museum in New Zealand contacted us about this wonderful document which they had uncovered in their archives. It is an advertising handbill created around 1880 enticing clients to consider Works of Art as enduring and sophisticated Christmas presents.
In its’ time it was a simple advertisement, however today it provides a fascinating insight into the past. The language that Harry Gladwell uses is so very eloquent, polite and considered. The surrounding images show the profound influence of Japanese art and culture on artists of the day, one of whom would have been commissioned to create this piece. During this period, Japanese art and design were seen as something new, fresh and exciting and Harry made no mistake in aligning the opening of his new gallery with the popular cultural phenomenon of the 1880’s.
As we continue our research into the document we are reminded that it was shortly before this time that Harry Gladwell was training to be an art dealer at Goupils in Paris with his friend Vincent Van Gogh, whose lodgings he shared. Vincent visited the Gladwell Gallery in Broad street on a number of occasions and often stayed with Harry in London. It would be fascinating to know what these two thought of the changing times back then.
Artists on show
- Alexandre Jacob
- Antoine Bouvard
- Claude Monet
- David Mueller
- David Shepherd
- Derek Gardner
- Edouard Léon Cortès
- Emmet Brady
- Eugène Galien-Laloue
- Gaston Hippolyte Ambroise Boucart
- George Clausen
- Georges Charles Robin
- Harry Sutton Palmer
- Henri Eugène Augustin le Sidaner
- Irene Klestova
- Jacob Jan Coenraad Spohler
- Karl Martens
- Kenneth Webb
- Lodewijk Johannes Kleijn
- Martin Taylor
- Maurice Martin
- Montague Dawson
- Nick Bibby
- Peter Symonds
- Pierre de Clausade
- Pierre Eugène Montézin
- Pieter Johannes Alexander Wagemans
- Raymond Wintz
- Robert Chailloux
- Simon Gudgeon
- Stewart Lees
- Vilhelm Carl Ferdinand Arnesen
- Willem Dolphyn
- William Lionel Wyllie