The exhibition聽Attempt to be a Sculpture聽draws from the eponymous work that lays the foundation for Walther鈥檚 ongoing commitment to reformulating sculpture as an open process and action, as well as shaping new modes of bodily presence in time and space.
The cultural center鈥檚 soon-to-close exhibition 鈥淪uppose You Are Not鈥 unveils one billionaire art collector鈥檚 psyche through anatomy, Surrealism and biting social critique.
艦akir G枚k莽eba臒, a Turkish-born alumnus of the Kunstakademie D眉sseldorf who has lived in Hamburg since 2001, has had shows in his home country before, but 鈥淎s It Seems,鈥 curated by Emre Baykal, is his most extensive presentation in Istanbul to date.
Drawing together 艦akir G枚k莽eba臒鈥檚 installations, sculptures and photographs produced across different time periods and adapting them to Arter鈥檚 second floor gallery.
Over four decades, the pioneering Armenian Turkish artist Sarkis, who moved to Paris in 1964 after he graduated from what is now Istanbul鈥檚 Mimar Sinan Fine Arts University.
Multimedia artist Zhang Ruyi鈥檚 works reflect on the intertwined relationships between people and the landscapes they inhabit, both natural and industrial.
Ahmet Do臒u 陌pek鈥檚 current show, 鈥淎 Halo of Blackness Upon Our Heads鈥 at Arter in Istanbul, conveys his fascination with the intersections of natural and man-made materials.
The art of sound, music and visual effects all come together in one experience with the help of technology in American artist Bill Fontana鈥檚 鈥楻esounding Io鈥 at Arter.
A vast group show, including works by nearly sixty artists, spreads across two floors of Arter鈥檚 interior, where the overall theme showcases the creative diversity of fun and games, revivifying art world professionalism in the process