The second of five instalments covering the top 100 art-world Instagram accounts that you might not already know about. Introducing the Curators, Directors and Gallerists...
In 2007, German artist Friedrich Kunath had his first main room exhibition at Andrea Rosen Gallery in New York. Entitled 鈥淭wilight鈥澛, the solo show incorporated sculpture, painting, and photography by the artist.
Artpace San Antonio is among a group of 1,000 international people and organizations invited to participate in the Andrea Rosen Gallery and David Zwirner live exhibition of Gonz谩lez Torres鈥檚 鈥淯ntitled鈥 (Fortune Cookie Corner).
The invitation came early in May. Well before cities across the United States erupted in protest against the brutal killing of George Floyd in Minneapolis.
As the ongoing COVID-19 pandemic keeps people at home and business closed, many galleries across the art world have made the pivot from in-person exhibitions to online viewing rooms (along with much debate about their efficacy and intent).
This week's need-to-know art news, including the collapse of Sydney's Carriageworks, the winner of the Pulitzer-prize for criticism, and relaxed Kickstarter rules for institutions.
In an era of social distancing, can a fortune cookie help bring us together? That question, and several others, are at the core of a new exhibition by Andrea Rosen Gallery and David Zwirner of the late artist Felix Gonzalez-Torres.
When the veteran New York art dealer Andrea Rosen announced in 2017 that she would shutter her public exhibition spaces and stop representing living artists, it was a shockingly sudden end for a program that helped define contemporary art over 27 years.
Bloomberg reports that, in March, New York鈥檚 Andrea Rosen and Luhring Augustine galleries sold their shared West 24th Street building in Chelsea to the real estate firm Siras Development for $28 million.
There is no artist more synonymous with the poignancy, wistfulness and desolation of art made within the crucible of the HIV/AIDS crisis than Felix Gonzalez-Torres (1957鈥1996).
The art market is almost as old as art itself. But it鈥檚 only in the last decade or so, with increased globalization, digitization and the rise of art as a multibillion-dollar investment vehicle, that the market has been viewed as an industry.