ARTISTS
2013
Five large paintings by Matt Lifson all show virtually the same enigmatic subject -- what appears to be a makeshift tent in the woods at night.
In "Displacements" Joseph Kohnke brings life to inanimate objects. His low-tech DIY aesthetic imbues the sculptures with a subtle charm.
In the short, high-definition film 鈥淟iquid Assets鈥� by Israeli-born, London-based artist Ori Gersht, a rippling gray blob of molten metal that looks rather like mercury rolls into close-up view against a mottled gray field.
2012
On a late winter afternoon in Los Angeles there's a kind of shadowless gray glare that's both heavy in mood and bright on the eyes.
The icy precision of digital imagery meets the hot-blooded romanticism of hand-painted pictures in Adam Ross’ new works at Angles Gallery.
HuffPost Arts' Haiku Reviews are biweekly features where we invite critics to review exhibitions and performances in short form.
2011
The seven works by Judie Bamber hanging now at Angles make a stab at answering the show鈥檚 interrogative title: 鈥淎re You My Mother?
Linda Stark鈥檚 paintings are not carved in stone. But they might as well be. At Angles Gallery, the 10 paintings Stark has made over the last five years
Raise your hand if you know which artist said 鈥淚'm thinking about scenarios where, in one place, there is a very bloody war, while in another place people are living a comfortable, decadent lifestyle.鈥�
What is the difference between a human and a bear? It鈥檚 the kind of problem the right artist can turn from a joke into a serious question about
The palette of Liat Yossifor鈥檚 new paintings is calm, cool and collected. Soothing grays predominate, ranging from whisper-soft tints as delicate
Predating the light and space movement in California by a decade or more, 鈥淪uprasensorial鈥� is comprised of five large scale environments
At Angles Gallery, Soo Kim literally carves a line between two and three dimensions, partially cutting out sections of her photographs
A "spectre" is a form without substantive shape, body or physical influence, yet its presence is verifiable as the space it "occupies," is often charged with energy
2010
Apparent ease and graceful agility mark the work of master weaver and textile artist Trine Ellitsgaard.