Rife with tension between humanity and the environment, imposed law and natural order, the twenty-four oil paintings in Amer Kobaslija鈥檚 exhibition at Arthur Roger, 鈥淔lorida Noir,鈥 forecast an ominous future.
In his 1971 essay 鈥淭he Function of the Studio,鈥 conceptual artist Daniel Buren defined the artist鈥檚 studio as a metadiscourse of 鈥渇rames, envelopes, and limits鈥 imposed upon the working artist in the age of advanced capitalism.