In the past year, as everyone's world has shrunk to encompass our immediate surroundings and the four sides of a two-dimensional screen, there seems to be a digital art revolution underway.
If you're lucky, the friends you make at 18 remain friends for a lifetime. This has certainly been the case for two gauche young art students who met on their first day at the Glasgow School of Art (GSA) in 1976.
If you were shown Jack Knox’s 1968 painting How it is devoid of context, without an artist’s name, era or location, you might find yourself momentarily nonplussed.
AS A retrospective opening in Glasgow this weekend shows, the genius of Philip Reeves’s prints and collages lies in the way they keep the viewer slightly off kilter, writes Christopher Andreae.