Much has been said about the cinematic quality of Tomek Kr臋cicki鈥檚 paintings. His previous exhibition at Stereo, Giallo (2022), borrowed its title from Italian B-movies and featured a series of works evocative of film scenes.
The latest works of Jakub Czyszczo艅 are infused with a spirit of a peculiar ecology鈥攏ewspaper sheets, dry leaves, and fragments of clothing are fused together by the artist using oil paint, forming distinctive compositions.
The exhibition titled Osad [eng. sediment] comprises works that sit at the boundary of abstraction and representation, exploring themes of everyday life, inner worlds, transience, and memory.
Waiting Room (2018) by Piotr Bury 艁akomy consists of two tram seats placed in a row and an aluminum door hung on the wall above, integrated with the frame of the carriage handrails.
The art world鈥檚 top tier fair, Switzerland鈥檚 Art Basel, has announced a packed, city-wide program for its upcoming 2024 edition, with 287 galleries from 40 countries, 22 of which will be mounting booths at the fair for the first time.
Thom Trojanowski鈥檚 exhibition consists of a series of paintings based on observations of the annual life cycle of the Bokrijk forest 鈥 a nature reserve covering fifty acres of forests, thickets, swamps and nineteen lakes.
The sixth individual exhibition by Wojciech B膮kowski at Stereo, titled 鈥淎 Couple of Details鈥, includes the latest of his works with charcoal on sanded cardboard.
Tild Greene (b. 1994, UK, lives and works in Amsterdam) works within the area of sculpture and writing; through subjects of mythology, utility, class, grief, and gender, they consider categories and assumptions.
The title of Gizela Mickiewicz鈥檚 exhibition seems perverse. After all, it consists of a group of sculptures displayed simply, full of light and without any arrangement procedures.