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This large show, fully accessible online, includes more than 80 paintings, drawings, and prints, about half linocuts completed since 2016.

The artist’s grotesque and violent images of the US president fit in with her works of political and social protest, made since the 1970s

Galleries and museums are getting creative about presenting work online during the coronavirus crisis. Here are two shows worth viewing virtually.

Jane Kallir explains why, after 80 years as a commercial enterprise, the New York gallery has become a foundation

The gallery helped build an American market for artists like Käthe Kollwitz and Egon Schiele.

One of New York’s oldest and most iconic galleries won’t be commercial anymore.

Now celebrating its 80th anniversary, Manhattan’s Galerie St. Etienne brings a scholarly approach to a uniquely diverse lineup.

American Beauty, painted by Morris Hirshfield around 1942, is an oil painting, four feet in height, of a seated nude red-headed Venus holding a mirror to herself.

Tracing the arc of his artistic development, Egon Schiele: In Search of the Perfect Line is on view at Galerie St. Etienne through March 2, 2019.

Andy Warhol at The Whitney. Eugene Delacroix at The Met. Harry Potter at the New-York Historical Society.

A group of 1910 drawings by Egon Schiele, previously thought to be self-portraits, are in fact portraits, says Jane Kallir, the author of the catalogue raisonné on Egon Schiele and co-director of Galerie St. Etienne.

Galerie St. Etienne, whose roots lay in Austria, was rebirthed in America following its founder’s flight from the Nazis in 1938 and subsequent emigration in the U.S. Unlike other Manhattan galleries (or most galleries, period) Galerie St. Etienne embraces political commentary.

10 Exhibitions Opening This Week

The final, short gallery-going week of the year is also New York’s last chance to catch a remarkable posthumous debut. Marie-Louise von Motesiczky