ARTISTS
2025
Galleries report robust demand across all price points, from emerging artists to blue-chip masters.
Michael Armitage, for example, had his first show at David Zwirner three years after being signed to the gallery.
Frieze Week is back, and with it comes a tidal wave of exhibitions across New York that demand your attention (and your walking shoes).
Presented in collaboration with the Robert Rauschenberg Foundation on the occasion of the artist鈥檚 Centennial, Gladstone presents the first survey of Rauschenberg鈥檚 sculptural practice in thirty years, spanning his production from the 1950s through the late 1990s.
Empty Rooms might in fact be empty, but blue remains in the timeless loop of the video, the accompanying music of Jason Moran, and the aching absence that fills the room.
Gladstone Gallery today announced the representation of Nigerian-American poet and artist Precious Okoyomon. Okoyomon considers the natural world, histories of migration and racialization, and the pure pleasures of everyday life in their practice.
Gladstone Gallery announced representation of American painter Brook Hsu.
Gladstone presents Joan Jonas鈥� Empty Rooms, an exhibition comprised of sculpture, works on paper, and video, opening this March in New York.
The 2025 edition of Frieze Los Angeles wrapped up on Sunday, February 23, marking a milestone year for the fair with strong sales, major institutional acquisitions, and an outpouring of support for the city鈥檚 artists.
For Antonin Artaud, it was the mountain of signs he encountered on a 1936 sojourn in the Sierra Madre mountains that disconnected him from the perceptible world, and from his own mind.
In 3 Songs from the Liver at Gladstone Gallery, New York, the artist flirts with a religious turn.
Karen Kilimnik鈥檚 (b. 1955, Philadelphia) debut exhibition with Gladstone Gallery opens January 16 in New York, featuring the artist鈥檚 radical, fantasy compositions of tropical beaches, coastal landscapes and floral forests.
Like so many African American artists who emerged during the 1980s, Carrie Mae Weems mined the history of the United States to interrogate its racist legacies.
Three songs, not from the heart, as I don鈥檛 wish to be too sentimental. Nor from the intellect, I don鈥檛 want to be too discursive.
2024
Gladstone Gallery announced the representation of American artist Karen Kilimnik, in collaboration with Galerie Eva Presenhuber and Spr眉th Magers.