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As if just born from another world, a pair of glassy eyes stares back at you from a slick, blue body that’s smooth and wet-looking, uncanny and eerily familiar.

Fictional Syntheses features practices exploring non-canonical approaches to landscape.

The much-anticipated Art Basel fair this week sets the city aglow with live performances, 285 internationally renowned galleries, and forward-thinking masterpieces...

Works by Anna Uddenberg, Faith Ringgold, and Alex Da Corte are among the 70 large-scale installations in the sector this year.

Gallery Weekend Berlin is celebrating its 20th edition from April 26–28, 2024, under the new direction of Antonia Ruder, who took over the reins in November 2023.

The organizers of Art Basel today announced 287 participants in the Swiss fair’s flagship edition, to take place June 13–16, with preview days on June 11 and 12.

The organizers of Art Basel today announced 287 participants in the Swiss fair’s flagship edition, to take place June 13–16, with preview days on June 11 and 12.

For the first time ever, the Gallery Weekend Festival will take place as part of Berlin Art Week.

Slavs and Tatars’ newest body of work, presented simultaneously at Kraupa-Tuskany Zeidler in Berlin and Tanya Bonakdar Gallery in Los Angeles, is anchored around the cultural meanings of melons in Central Asia.

"Ocula Magazine shares must-see Berlin exhibitions for the summer months following Gallery Weekend Berlin 2023."

The poetic history of melons, odes to Arabic calligraphy, and a dystopian badminton court were among the highlights across 55 galleries.

From a video Hito Steyerl pulled from Documenta 15 to an off-site karaoke installation in a car

Arranged across Kraupa-Tuskany Zeidler's two-room gallery in Berlin, Transactions With Eternity (9 July–20 August 2022) takes its title from Rosmarie

The 1935 novel Blue of Noon by Georges Bataille posits the duality of revolutionary acts within shift-ing paradigms, namely those of active dissent and nihilism. 

Inspired by his own time in lockdown and experience with an increasing amount of digital human contact, Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler explores the ways in which we see the world and ourselves in an age of hyper-mediation.