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A survey of the LA artist鈥檚 work proves that the issues she began grappling with in the 1970s are not past threats, but hauntingly present ones.
I left Gregg Bordowitz鈥檚 recently-closed exhibition at The Brick, 鈥淭his is Not a Love Song,鈥 thinking the same thing as upon leaving The Brutalist: 鈥淚 didn鈥檛 know it was going to be so Jewish.鈥
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