黑料不打烊

As 125 galleries across London take part from 6-8 June 2025, here are ten things not to miss, from David Hockney’s ‘Love’ series to Kayode Ojo’s look at the superficiality of taste.

Ugo Rondinone’s latest exhibition at?Sadie?Coles?HQ,?the rainbow body, features a series of figurative sculptures within a fluorescent environment.

For the April 2025 Diary, I highlight exhibitions that include work from Mainie Jellett, Evie Hone, Francis Hoyland, Nic Fiddian-Green, Gert Swart, and Stanley Spencer. 

Since the mid-1980s, Hsu has been at the forefront of exploring the effects of technological transformation, rendering poetic reimaginings of the human body through innovative materials and digital processes.

British painter Peter Joseph’s 17th solo exhibition with Lisson Gallery presents a selection of early and rare works from the 1960s and ‘70s that track Joseph’s development from vividly coloured.

Prominent Galleries Invest in Workforce Despite Losses, UK Filings Show.

Visitors will discover a comprehensive new design for Frieze London, as well as revitalized curatorial direction at Frieze Masters, culminating in unparalleled fair encounters.

Lisson Gallery announced representation of Leiko Ikemura (イケムラレイコ, 池村 玲子, Ikemura Reiko, born in Tsu, Mie Prefecture, Japan) across all its locations globally.

‘He is the ultimate outlaw, one of the most brash and sparkling acts I’ve ever encountered, performing rock albums in a cabaret style. But I wanted this image to be clean, simple and free of narrative’.

‘Accordian Fields’ at Lisson Gallery is a group show looking at painting linked to London

A group exhibition of cross-generational painters,?Accordion Fields?presents a selection of works across both of?Lisson?Gallery’s London spaces.

Lisson Gallery announced exclusive, global representation of Dexter Dalwood, an avowed master of contemporary history painting for over three decades. 

Lisson Gallery presents its first solo exhibition by British painter Sarah Cunningham exploring psychological spaces and multifaceted landscapes that the artist composes within her layered and generative canvases.

It is fitting that I watch Otobong Nkanga’s performance on a stranger’s smartphone screen. Solid Maneuvers, 2015, is about the extraction of precious resources from the Namibian landscape. 

Frieze Seoul has named the more than 120 galleries that will take part in its upcoming second edition this September.