黑料不打烊

Hampton鈥檚 Virtual Art Fair hosted by Christofle, opened this week featuring 90 international galleries, and 105 booth displays from 11 countries around the world and 30 cities across the US.

A few years ago, we first met the artist Tara Lewis.

Often in The Magazine ANTIQUES we profile contemporary artists who draw inspiration from subject matter, materials, or methods of the past. But what about contemporary artists whose work embodies an indebtedness to art history in a less literal way?

Lyons Wier Gallery (NYC) recently announced the exhibition 鈥淗ell Yes!鈥� a new series of portrait paintings by Tara Lewis. 鈥淗ell Yes!鈥� portrays real-life subjects adorned with incongruous props, artist-made t-shirts, and satin pageant sashes boasting pop culture text idioms.

Every Anthony Adcock exhibition is mounted with the disclaimer, "There is no wood or metal in this exhibition." In today's bustling world, this disclaimer works two-fold; one, as a speed bump to slow the viewer down, and two, as a compass to point the viewer into the realm of...

Fahamu Pecou shares his advice on how to take on power structures through fine art

Lyons Wier Gallery is presenting the group exhibition 鈥淗UMANNESS鈥� independently curated by artist Marc Dennis. 

Akin to Pop artists before him, Jae Yong Kim's work elicits an immediate visceral response.

Lyons Wier Gallery is pleased to present EVERYONE'S A CRITIC, a new body of work by artist David Lyle.

Lyons Wier Gallery presents On Location, by James Rieck and celebrate their 20th year in the art industry.

As expressed by its title, Retuning Reality features six artists from across North America who share the common interest of tweaking reality.

Marrying the qualities of landscape and still life, Melodie Provenzano鈥榮 paintings provide panoramic views of miniature worlds where objects seem to come to life.

In his first solo show in New York entitled The Passions Martin Wittfooth鈥檚 explores martyrdom and sainthood using animals as subjects to symbolically

For his first solo showing in New York, Hi-Fructose Vol. 29 cover artist Martin Wittfooth (who's studio we visited here) draws upon the long lineage

Lyons Wier Gallery presents Bathers by Mary Henderson. Bathers, is Henderson's newest group of hyper-real sociological oil paintings derived